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Word: cools (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...There's nothing in here I want to buy," he said. "It would be cool to have a coffee shop--not like An Bon Pain--with some real atmosphere, more laid-back, very bohemian."But David M. Krinsky '99 said he understood the appeal of the current...

Author: By Geoffrey C. Upton, | Title: Stores Review Mission | 10/6/1995 | See Source »

Fiebert says he found himself "intrigued with the possibility of how cool bad guys can be," while Eilenberg wanted to utilize the desert and bar-room settings to "get people to laugh in new, unexpected ways...

Author: By Benjamin R. Kaplan, | Title: Pudding Chooses Script | 10/4/1995 | See Source »

...jarring cinematography at least distracts from Hutton's childish interviewing. So far, she has demonstrated a knack for questions it would take whole university faculties to answer. To Kathleen Turner: "Tell me about motherhood." To Gabriel Byrne: "Tell me about love." To L.L. Cool J.: "Tell me about the start-up of rap in the black community." Her later, less competitive time periods may ease the pressure, but if Hutton wants to be a late-night combatant, a few tutoring sessions with Oprah might help...

Author: /time Magazine | Title: TELEVISION: JOINING THE BOYS' CLUB | 10/2/1995 | See Source »

...overall acid bath of Newman's corrosive wit. It's music of an ambition and quality not often heard outside the work of Stephen Sondheim (whom Newman reveres), and it is performed on the album with tremendous brio by James Taylor, who sports a no-sweat self-mocking cool as God; Linda Ronstadt as the tremulous, winsome Margaret; Bonnie Raitt as Martha, a piece of trade tough enough to wring out the devil's heart; and Don Henley as Faust, reborn here as a guitar-strumming freshman at Notre Dame who's slacker enough to sign Satan's contract...

Author: /time Magazine | Title: MUSIC: THE DEVIL YOU KNOW | 10/2/1995 | See Source »

...private citizen, not strictly speaking a private eye. He is also a black man. But these two significant--and dramatically potent--differences aside, novelist Walter Mosley's creation is the truest heir we have yet had to Raymond Chandler's immortal Philip Marlowe. And writer-director Carl Franklin's cool, expert adaptation of Devil in a Blue Dress, Mosley's first novel, evokes the spirit of '40s film noir more effectively than any movie since Chinatown...

Author: /time Magazine | Title: CINEMA: DOWN THESE MEAN, PALM-LINED STREETS | 10/2/1995 | See Source »

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