Word: cools
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Dates: during 2000-2009
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...Javier Bardem, the cool Spanish dude who plays a mean malefactor in the Coen brothers' No Country for Old Men, won for Best Supporting Actor Who Happens to Have a Penis. (No Country also took the Best Film Ensemble prize.) Bardem reminded the crowd that, in his country, actors used to be deprived of a Christian burial because they were suspected of being prostitutes and homosexuals. So, we've come a long way, baby. (He apparently hasn't read the showbiz gossip columns lately.) Bardem also thanked for Coens for hiring him and, since they were also the film...
...look at the proliferation of [the designs] over the past few years, it goes with digital technologies that allow designers to do fairly complex kinds of patterning and laser cutting," he says. The intricate flora-and-fauna-filled curtains of Dutch designer Tord Boontje, who has made florals cool to a new generation, would be virtually impossible otherwise...
...became cool for famous chefs to make burgers in 2001, when Daniel Boulud, James Beard Outstanding Chef of the Year, opened his casual DB Bistro Moderne and sold a $27 hamburger: ground sirloin stuffed with braised short ribs, foie gras and truffles. As much as I love Boulud's cooking, I found it disgusting--a gooey mess of indistinguishable, nauseating fat. I was, once again, alone: it now accounts for 30% of the bistro's food sales. This year, Boulud, Bobby Flay (New York City's Mesa Grill) and Thomas Keller (French Laundry in Napa Valley, Calif.) are opening burger...
...thing in the country that's become the world's second growth engine: China. Most economists believe inflation remains China's biggest risk going forward, and a slow down in the export sector - now unavoidable - could actually do the People's Bank of China's work for it: cool the economy a bit without the need for another rise in interest rates. (The PBOC raised rates six times...
...paced. On the other hand, it is, for Allen, a comparatively rare excursion into lower-class life - the setting is London, as it has been in his two previous films - and its portrayal of the contortions upward striving can impose on people eager to move up in class is cool, well-observed and often even touching - especially in Farrell's confusions and eventual meltdown under guilty pressure. The scale of this film is right for this excellent realist, much more appropriate to his talents than the brawnier pictures Hollywood has cast...