Word: cooman
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Dates: during 2000-2009
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...left before the next piece.Those who left missed a great performance by Clayton W. Brooks III ’10, who played the Toccata from Leon Boellmann’s Suite Gothique. Brooks displayed talent well beyond that of many of the upperclassmen organists during this difficult piece. Carson Cooman, Memorial Church’s research associate in music, continued with “In Your Presence is Fullness of Joy,” by Patricia Van Ness. The less intricate piece served as a fine interlude between Brooks’s intense performance and the two final pieces.Joy-Leilani...
Harvard’s self-proclaimed “premier chamber orchestra” takes the stage for yet another night of tranquilizing classical music. The program will feature pieces by Beethoven, Cooman, Ravel, Rossini. $8 Regular, $6 Students. 8 p.m. Paine Hall...
...program concluded with a fascinating opera entitled Dr. Magic, the only libretto not written by an undergraduate, performed as an oratorio with minimal stage movement. The premise of Dr. Magic, written by Joyce Carol Oates with music by composer Carson P. Cooman ’04, derives directly from the hero of the title, a crafty magician. Dr. Magic invites a couple to the stage as volunteers and his interaction and experimentation on them scratch the seemingly ideal surface of their lives together...
...Harvard students. In this fourth year of the dramatic project, entitled “VI-4,” students will perform four short chamber operas, accompanied by chamber ensemble. The operas include the psychological drama “Dr. Magic,” with music by Carson P. Cooman ’04 and “Strapped,” with music by Matthew T. O’Malley ’04 and a libretto by Anthony Gabriele ’03. Through Sunday, April 6 at 8 p.m. Tickets $6 general, $5 students (limit...
Both undergraduate and graduate students then read from religious texts and the choral fellows of the University Choir performed “Canticle: Mosaic in Remembrance and Hope,” a piece written by Carson P. Cooman...