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Word: coonradt (lookup in dictionary) (lookup stats)
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...forbid drill instructors from touching recruits except to correct their position during instruction or to prevent injury. Punitive push- ups are now limited to just five minutes, with a 30-second break midway. Mental harassment is frowned upon. "We don't use negative reinforcement anymore," says Lieut. John Coonradt at the M.C.R.D...

Author: /time Magazine | Title: And To Keep Our Honor Clean | 4/20/1987 | See Source »

...PETER COONRADT...

Author: NO WRITER ATTRIBUTED | Title: COMMENCEMENT 1968 | 6/13/1968 | See Source »

...Herba couldn't locate them to finish shooting. More recently, the lovely and admirable star of Lady Jane Talks to the Director, Jane Manopoli, told me that her experience in film-making had been nerve-wracking--she didn't know what she was doing and director Peter Coonradt kept changing his mind...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

Both Herba and Coonradt have avoided the central pitfall of director's cinema, that of self-indulgence. Lady Jane, while maintaining a tenuous balance between two realities, one conventional and one dreamlike, remains always rigorously disciplined with careful attention paid to continuity and (truly superb) rhythm in its editing. Coonradt instantly establishes the premise, Jane's struggle to maintain a diffuse personality against her singularly insensitive room-mate and the other girls in her dorm, with an opening shot of Jane outside which surprisingly pulls back to reveal the other girls inside. Equally powerful in its economy is Jane...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

...COONRADT here is both defining the personality of his character and attempting to undermine the audience's tendency to accept an all-too-conventional reality. Even the beautifully photographed, frequently superimposed dream sequences are at first expressionistic, as we expect film-dreams to be, then increasingly mechanical and artificial, Coonradt demonstrating that Jane's reality is imposed by the camera and the way the director moves it. The last sequence, a magnificent three-minute series of near-identical close-ups of Jane, serves as a direct confrontation of actress-character and director-alter ego. Coonradt projects himself through Jane...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

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