Word: cooperate
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Dates: during 1990-1999
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...whole town--with the exception of the lonely Constance (Jennifer Tattenbaum '99), who is pining away for the love of the ditzy but endearing Vicar, Dr. Daly (John Driscoll '99). Everybody seems enamored either with another person or with love itself. Even Alexis' pompous father, Sir Marmaduke (Jordan Cooper '99), admits that he too once adored Aline's noble mother, Lady Sangazure (Anja Kollmus). Delighted with the idea of everyone falling in love, regardless of class, age, or even personal tastes, Alexis ignores Aline's protests and enlists the aid of a sorcerer to cast a spell on the town...
...embodied the frontiersman's virtues, a free man ranging a free and open land, the rot of the cities, the ambiguities of an intricately developed society well lost. But the description is stale and does not suit Wayne the way it does quieter, more mysterious figures like Gary Cooper and Randolph Scott. For the Duke was only intermittently like them--in The Big Trail, his first starring role, or in the starkly iconographic Hondo, which Wills unaccountably fails to mention. Mostly his character was not a man escaping civilization and its discontents but one bringing them to the wilderness. Discounting...
...Milwaukee-Alice Cooper may know the etymology, but he doesn't know how the Brewers will fare without veterans Greg Vaughn and Kevin Seitzer...
Fletcher Reede is a divorced dad, hardworking and ambitious, trying to make partner at a law firm. His adorable son Max (Justin Cooper) is constantly disappointed by his father's failures to keep their dates for ball games and birthday parties, and weary of his lame excuses for going AWOL. Puffing out the candles on his fifth-birthday cake, Fletcher's telephonic explanations for blowing off the event still ringing in his ears, the kid wishes that his father could be forced to tell the truth for 24 hours...
...embodied the frontiersman?s virtues, a free man ranging a free and open land, the rot of the cities, the ambiguities of an intricately developed society well lost. But the description is stale and does not suit Wayne the way it does quieter, more mysterious figures like Gary Cooper and Randolph Scott. For the Duke was only intermittently like them--in The Big Trail, his first starring role, or in the starkly iconographic Hondo, which Wills unaccountably fails to mention. Mostly his character was not a man escaping civilization and its discontents but one bringing them to the wilderness. Discounting...