Word: cooperating
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Dates: during 2000-2009
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...Rove whether he was responsible for leaking Plame's CIA identity to columnist Robert Novak, Rove told him "absolutely not." While that may have been strictly true, Fitzgerald's indictment suggests that Rove did at least discuss Wilson's wife with Novak, as he did with TIME's Matthew Cooper. As for Cheney, who retained Libby as the scandal unfolded and did not follow the advice of some to move him out five months ago, his relationship with Bush has suffered "a strain, not a rupture," says a presidential adviser. That much was clear when the White House...
...reporters in 2003. Although Libby maintained under oath that he first heard about Plame's identity from reporters and passed it on to others as mere gossip, Fitzgerald's indictment offers considerable evidence that it was the other way around--that Libby told two reporters, including TIME's Matthew Cooper, about Plame's work for the CIA, and that he lied to investigators about one of those conversations and confected a third out of whole cloth...
...July 10 or 11, 2003, from NBC News Washington bureau chief Tim Russert. Libby also told the feds that Russert volunteered in the same call that "all the reporters" knew about Plame's work. Similarly, Libby's account of a brief July 12, 2003, call with TIME's Cooper differs from Cooper's recollection...
...potential to endanger higher-level officials like Cheney, who is mentioned more than once in the indictment. Fitzgerald's document notes, for example, that Libby flew with Cheney on July 12 to Norfolk, Va., and discussed with some officials on the return trip how to handle the Cooper inquiry--an indication that Fitzgerald has reason to at least investigate a conspiracy that might involve the Vice President. Rove too could be ensnared if Libby cuts a deal. So far, Fitzgerald has declined to detail in his indictment the conversation Libby and Rove had about the Novak story before it broke...
...recent show at the Cooper-Hewitt museum in New York City, Orth exhibited a fabric with a hue that alternates from a nearly monochrome gray to a tricolor gray-red-and-green jacquard. The colors appear when electrodes woven into the cloth generate heat, which in turn causes temperature-sensitive dyes in the cloth to change hue. "Making this fabric is like making an interactive painting," says Orth, who has come full circle since her undergraduate days spent painting on canvas...