Word: cooperative
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Dates: during 1990-1999
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...focus of the Kevorkian case will now shift to the sentencing phase and place the spotlight on Judge Jessica Cooper. "She's been meticulously responsible in following the law and explicitly careful to explain everything to Kevorkian, since he chose to represent himself," says Grace. Now, however, it is Cooper who will make the final decision of this difficult case. How harsh should she be on the 70-year-old zealot? Says Grace: "The fact that she let Kevorkian go free pending the sentencing may be an indication that she thinks he's something less than a cold-blooded murderer...
Sampler samples. The Harvard Advocate has assembled student photography from not only Harvard but also from New York's Cooper Union and the Parson School of Design. Intending to foster dialogue between Harvard artists and the New York artists, the show aims to bridge an aesthetic gap through the use of color and new printing techniques such as c-printing, silkscreen printing and digital image processing. Thus, not only are the photographs in Sampler original in terms of their subject matter and color schemes, but they also incorporate cutting-edge printing techniques. Color and technique flow together in nearly every...
Another pleasing intersection of technology and art is Cooper Union student Clay Zimmerman's photograph of a large home sitting behind a highway. The house is illuminated, orange and bright, while the highway is dark, a thought-provoking color contrast reminiscent of Rene Magritte's eerie painting, "The Empire of the Light." For Zimmerman, technology is not only a tool, but also a subject: the house is nearly dwarfed by two satellite dishes, creating a juxtaposition of homey architecture and lonely telecommunications, all dramatically illuminated with highway and house lights...
...pronoun, not e-y-e, eye," interjects Harry Cooper, Associate Curator of Modern...
Without that almost clairvoyant amendment by Cooper, we would be left with a very different impression of the modernist Ellsworth Kelly. By his own unabashed admission, Kelly is "minimalist," a title which suggests that his work could be seen as being overly impersonal. But this "immense detachment," as Cooper calls it, is impersonal in the sense of modesty, not purposeful indifference...