Word: cooperative
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Dickman says he was inspired by chef Ann Cooper, whose 2000 book, Bitter Harvest, is well described by its subtitle: A Chef's Perspective on the Hidden Dangers in the Foods We Eat and What You Can Do About It. Cooper, who now runs the acclaimed meal program of the Berkeley, Calif., public schools, writes passionately against industrialized farms that "inhabit a flattened landscape dotted not with trees, farmhouses [and] animals ... but with huge motorized vehicles." After meeting her, Dickman began to go to farmers' markets...
...your own mother might disown you. However, you can bet that an institution that has already survived for over 360 years will probably stick around for a while—and so will that Harvard tattoo you’re considering plastering on your ass. For Joseph K. Cooper ’07, the Veritas shield that adorns his shoulder blade is more than just a way to show off in the locker room and at the beach. “I view tattoos as a way to commemorate things you’re proud of,” says...
...knew that the life of the party wasn’t going to have life in a few weeks? On August 29th, Pops passed away peacefully, seconds after the priest administered the Last Rites. As I flew home to JFK–on the same flight as Anderson Cooper, who was down in New Orleans to cover the anniversary of Hurricane Katrina—the tears ruined the yellow legal pad I was jotting Student Government notes on. The engagement party made sense. I understood now. Now was the time to cry and say how much we?...
...speck of paint.” The paint is almost impossible to see; as Khandekar points out, it is smaller than the period at the end of this sentence.These specks drew world-wide attention on Jan. 29 of this year, when Khandekar, Fogg Associate Curator of Modern Art Harry Cooper, and Carol Mancusi-Ungaro and Christina B. Rosenberger of Havard’s Center for the Technical Study of Modern Art released a report declaring that some of the samples contain pigments that had not been used as artists’ paint until 1996.Khandakar’s samples came...
...Cooper's performance as this character is nothing short of astonishing: it encompasses a rigid posture, a snappish disposition and a careless contempt for agency protocol. One of the first things he does is send O'Neill out to steal a new computer from their colleagues down the hall. What begins to emerge, almost inferentially from Cooper's taciturn playing, is a portrait of a sharp knife nestled in drawer full of dull ones. A man this bright should have been on the bureau's fast track. Instead, he's on a side track, chugging along a bureaucratic road...