Word: cooperatively
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Dates: during 1980-1989
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...Hudson River school of painting ?the brooding serenity of turquoise skies, patriarchal clouds and trees, very still, doll-like people (white and red), infinite promise, potential self-deception and, above all, perfect containment?the individual and the land, man and God locked in a snakeless Eden. James Fenimore Cooper wrote a novel, Satanstoe, about such a place, an ideal America in which everyone ruled his own vast estate, his own civilization. Whether or not Reagan sees Rancho del Cielo or Pacific Palisades as Satanstoe, his dream of the New World is as old as Cooper...
...silver screen. The nation's crush on Hollywood was flowering wildly in 1932; while a few would read Ernest Hemingway's new hymn to bullfighting, Death in the Afternoon, throngs would dig up the pennies necessary to get them in the picture show to see Gary Cooper in A Farewell to Arms. As things got worse, film fantasy became more and more a handy escape; Red Headed Woman with Jean Harlow, Winner Take All with James Cagney and Horse Feathers with the Marx brothers. Once, the Dixon theater, which had a three-keyboard Barton organ, imported a popular...
There are scores of surprising talents such as the French Canadian Anne Hebert, 64, and the American Ruth Stone, 65, who are among the most personal, powerful and sensuous of the contemporary poets represented. There are also some regrettable omissions, for example, Jean Valentine, Jane Cooper, Jean Garrigue and Elizabeth Bishop. Yet it should be noted that before her death in 1979, Bishop declined to be included in this anthology. Her reason: it is confined to women. Certainly, as Bishop's demurral suggests, it is no easy matter to designate a writer, a woman and a member...
...acerbic best when challenging modern ideas of what is civilized in fields such as clothing, street design, architecture, even staircases. A former visiting professor of art at Yale who has organized exhibits for the U.S. Government abroad, he is now scholar-in-residence at the Smithsonian Institution's Cooper-Hewitt Museum in New York City. There his latest "salute to the unknown art of living" is a wryly provocative exhibition designed to prove that bathing, eating, sleeping, sitting and a few other domestic matters were managed better in older cultures, especially in the Orient...
Besides vindicating non-table manners, Rudofsky-assisted by Cooper-Hewitt's Lucy Fellowes-assembles a widely (some would say wildly) eclectic domestic history. In one display he indicts chairs as uncomfortable and unhealthy, particularly the infant high chair ("a vicious, sado-pedagogic trap, as humiliating to a child as a leash is to a dog"). Elsewhere, he charts the sly history of the swing, which he describes in his book as "a pale copy of a onetime bold device for generating violent motion and emotion" of a sexual nature, mostly in women. He suggests that all forms of "bobbing...