Word: coover
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Dates: during 1980-1989
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...epiphany, which Carver's characters depend on, is the creature of Modernism; post-modernists are supposed to get beyond it somehow, as writers like Donald Barthelme, Susan Sontag, and Robert Coover have demonstrated. Carver's faith in the epiphany is a throwback to an earlier way of thinking about fiction. He believes in telling a story plainly and completely. Carver's stories follow a discipline that seems to come out of necessity. His stories just barely escape the desperate world that they describe. There's no artifice--Carver wouldn't pass off a "Project for a Trip to China" (Sontag...
Another short-changing of literature and life to which Epstein object is ideology at either the heart of a novel or the core of criticism. Borrowing Clauswitz's definition of war, he accuses Doctorow and Coover of using literature to wage "politics by other means." He devotes four essays to rehabilitating the reputations of James G. Cozzens, John Dos Passo Var. Wyck Brooks, and Willa Cather, all of whom be considers unjustly neglected by the prejudice of liberal critics. Cather he "rescues" from the crown of lesbianism...
...have been here before. George Plimpton humiliated himself with the pros. Roger Angell has described a pitcher standing on a "hill like (a) sunstruck archaeologist at Knossos." John Updike, Ring Lardner, Philip Roth, Mark Harris, Robert Coover and other "serious" writers have regarded baseball as a metaphor for the human predicament. What can a puffing 56- year-old add to the overloaded shelf of belles lettres on the summer game...
...William Saroyan play, Love's Old Sweet Song, offered a character who sold TIME subscriptions and reinforced his pitch by reciting the euphonious glories of the magazine's masthead ("Carlton J. Balliett Jr., Robert Cantwell, Laird S. Goldsborough . . ."). In 1977 an angry protest novel by Robert Coover, The Public Burning, described TIME, ironically, as the national poet laureate. In a current Broadway musical, My One and Only, the hero dreams of being on the cover of TIME. In a recent song Billy Joel is more ambiguous...
...novel The Public Burning, Robert Coover satirized the myth from the mordant angle of Watergate America: "Throughout the solemn unfolding of the American miracle, men have noticed this remarkable phenomenon: what at the moment seems to be nothing more than the random rise and fall of men and ideas, false starts and sudden brainstorms, erratic bursts of passion and apathy, brief setbacks and partial victories, is later discovered to be-in the light of America's gradual unveiling as the New Athens, New Rome and New Jerusalem all in one -an inevitable sequence of interlocking events, a divine code...