Search Details

Word: copland (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Composer Aaron Copland, this year's Charles Eliot Norton Professor of Poetry, will discuss "The Sonorous Image" at 8 p.m. tomorrow in Sanders Theatre. The talk will be the second in Copland's series on "Music and Imaginative Mind...

Author: NO WRITER ATTRIBUTED | Title: Copland Gives Talk Tomorrow | 11/19/1951 | See Source »

...last Thursday demonstrated again that there is a group of enthusiastic, intelligent young musicians in the University community who like to play and who fear nothing. The performances, although uneven, were definitely higher than the usual student level, and there were moments of real brilliance. Russell Stanger and Aaron Copland shared the conductor's duties, an innovation which was not totally successful...

Author: By Lawrence R. Casler, | Title: The Music Box | 11/19/1951 | See Source »

...Aaron Copland is a much better composer than conductor. On the podium he seemed awkward and uncertain, and I don't know how the orchestra was ever able to follow his obscure beat. But his music, fresh and invigorating, gave ample proof that he is one of the five or six really significant composers in the United States today. Unlike most of his contemporaries, Copland concerns himself with melodies per se; his compositions usually contain several good tunes, but not much depth of feeling...

Author: By Lawrence R. Casler, | Title: The Music Box | 11/19/1951 | See Source »

...Outdoor Overture," written in 1938 for New York's High School of Music and Arts, is about four minutes too long. The middle section lags considerably, and perhaps Mr. Copland will someday see fit to tighten up this otherwise intriguing composition. The orchestra, for the most part, did full justice to the music. Only the brass section, no longer bolstered by Conservatory students, seemed rather weak; it frequently played too loud, and was not always...

Author: By Lawrence R. Casler, | Title: The Music Box | 11/19/1951 | See Source »

...Copland also said: "The classics have been used to snuff out all liveliness . . . and to set up a religion of music . . . while the public has been afraid to invest in anything not bearing the label of a masterwork...

Author: NO WRITER ATTRIBUTED | Title: Copland Says Classics Have Overly-Powerful Grip on Concert Halls | 11/14/1951 | See Source »

Previous | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | Next