Word: copland
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...COPLAND: SYMPHONY FOR ORGAN AND ORCHESTRA (Columbia). Brooklyn-born Aaron Copland was finishing his composition studies in Paris in 1924 when he wrote this big, loose-jointed work, first cousin to a concerto. The organ does not contrast with the orchestra but stirs it up and then masses forces with it. Considered shocking at the time ("If a young man at the age of 23 can write a symphony like that, in five years he will be ready to commit murder!" declared Con ductor Walter Damroseh), the work has never been recorded until now. The New York Philharmonic, Leonard Bernstein...
...Conductor Leonard Bernstein led the orchestra in a birthday celebration that was an almost exact copy of the first-night program. But little else was the same. At the birthday concert, the distinguished musicians in the black-tie audience far outnumbered those on the stage (among them: Composer Aaron Copland, Conductor Leopold Stokowski, Pianist Rudolf Serkin, Violinist Isaac Stern and retired Tenor Lauritz Melchior). Ticket prices were set as high as $35 (regular concerts currently bring an $8.50 top). The orchestra, which merged in 1928 with the rival New York Symphony and became the Philharmonic-Symphony Society, has doubled from...
...division of attention between the gurus of the contemporary styles and their still-emerging disciples. It includes such cornerstone composers as the French mystic Olivier Messiaen and American Serialist Statesman Milton Babbitt, plus a smattering of tiny, wispy recent Stravinsky pieces, as well as chamber works by Aaron Copland, some recently discovered early pieces by Anton Webern, performed by Eugene Ormandy and the Philadelphia Orchestra...
Musical Levitation. Shaw, 51, long regarded as America's top chorus master, conducted clean, well-balanced though somewhat earthbound readings of the overture to Wagner's Die Meistersinger and Copland's recently revised Canticle of Freedom. The evening's climax-Beethoven's formidable Ninth ("Choral") Symphony-was a feat of musical levitation. The intelligence and spirit of the interpretation, along with the sheer force and clarity of Shaw's baton, lifted the performance above its own technical flaws-some faulty string playing, moments of rhythmic dislocation-to provide music that frequently soared with...
...five-year-old Congregation of the Arts, which each summer invites three composers to a fortnight of per forming, reviewing and explaining a representative sample of their music. Carlos Chavez, the late Zoltan Kodaly and Witold Lutoslawski are among past composers in residence; Frank Martin and Aaron Copland are Henze's predecessor and successor this year...