Word: copland
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...jazz -and Goodman's relation to both. For one thing, at 58, he now devotes at least a quarter of his professional life to classical music, and has emerged as a leading concert performer. He broadened the clarinet repertory by commissioning works from such composers as Bartok, Hindemith, Copland and Milhaud, and he has made his mark in the standard works through such recordings as Mozart's Clarinet Concerto in A, which has sold 40,000 copies, an impressive total for a classical...
...COPLAND: TWELVE POEMS OF EMILY DICKINSON (CBS). Copland's song cycle deals with the same subjects as Mahler's Das Lied: love, death, nature. But there are no romantic mists to invite reverie in Dickinson's crystalline verses, and Copland's music shades from an impressionistic to a literal approach. Macabre chords open the song I Felt a Funeral in My Brain; a fast-rising whir of melody introduces the line "There came a Wind like a Bugle." Sung by Soprano Adele Addison with the composer at the piano...
...Aaron Copland, D.F.A., composer. From Bay Street to Bourbon Street, from Appalachians to Alamo, from Piedmont to Puget Sound, from Flatbush to Fisherman's Wharf, his music captures the grandeur and diversity of the nation...
...shedding its all-Baroque image, the BSO performed a quarter of works representing every major stylistic period from the Baroque to the twentieth century. The program consisted of the instrumental sinfoniae from three J.S. Bach contatas, Wagner's Sieg-fried Idyll in its original instrumentation, Quiet City by Aaron Copland, and Beethoven's Eighth Symphony. It was the most ingenious program assembled at Harvard in the past several years. These works, all scored for a chamber orchestra, were ostensibly tailor-made for the Bach Society's diminutive instrumental forces...
...Aaron Copland's Quiet City (1940), the Bach Society had the advantage of two fine wind players. Alan Pease's trumpet was as "nervous" as is called for in the score, and Fred Fox's English horn was properly dark and seductive. The strings handled their part with a minimum of painful intonation and a good deal of taste. All in all Quiet City was the most successful of the works attempted, evocative where the others were dutiful...