Word: copped
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...October's Taxi, a remake of a French film, lead-foot cabbie QUEEN LATIFAH will help green cop JIMMY FALLON solve a series of bank robberies. Just how much do you tip hip-hop royalty, anyway...
...motorists last year?strict enforcement of new traffic laws is crucial. Unfortunately, as is often the case elsewhere in Asia, enforcement is the weakest link in the road-safety chain. "Police corruption is widespread in China. That's no secret," says Liu, a crew-cut, 37-year-old traffic cop who declined to give his full name. "It's especially true in the traffic section. If you help spring a murderer, you're going to feel a heavy psychological burden. But if you help a friend beat a traffic fine, you feel nothing." The Beijing cop says most policemen...
...cop here is Spooner (Will Smith), investigating the death by defenestration of an inventor (James Cromwell) days before his company's new line of "automated domestic assistants"--home androids--is to be unveiled. Because he's the standard cop-hero sociopath and also because he just can't stand robots, Spooner suspects everyone. Dammit, he suspects anything modern. As the U.S. Robots boss (Bruce Greenwood) says, "You would have banned the Internet simply to keep the libraries open." Spooner focuses his skepticism on a prototype droid named Sonny, the only creature in the room with the inventor when he died...
...painting computer graphics over an actor (here, Alan Tudyk). It's a suave simulacrum that makes Sonny the film's most complex and human character--granted, by default--and sets him apart from the killer "can openers" in pursuit of Spooner. There's a nifty car chase, with the cop (in an Audi, its logo prominently displayed) set upon by a vicious android posse. Even if the scene is not up there with the 14-min. freeway free-for-all in the second Matrix movie, it's a smart, vigorous blend of live action and computer graphics...
...Tough cops, car chases, killer bots--the sci-fi action-movie format is starting to rust. Director Alex Proyas used to be able to spiff up the genre; his Dark City and The Crow created vivid, lurid nightscapes. This time, even given a lavishly muscled superstar and a murder plot with a soft heart (Sonny is a member of a minority the prejudiced cop has to learn to love), the gifted visualist goes all pedestrian and impersonal...