Word: copped
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...Much like that line, the dialogue in Tokyo Vice is often so snappy and quotable that it sounds as if it were a treatment for a Scorsese movie set in Queens. "The word isn't victim - it's sucker," one made man pronounces. A cop is described as saying, in English, "Please go get me some smokes, angel." Yet the facts beneath the noirish lines are assembled with what looks to be ferocious diligence and resourcefulness. For even as he is getting slapped around by thugs and placed under police protection, Adelstein never loses his gift for crisp storytelling...
...play that attracted Craig and Jackman is a deceptively modest piece: a 90-minute two-hander in which the British and Australian actors play (flawlessly) a pair of Chicago cops who recount, in alternating monologues, a harrowing chain of events that tears their lifelong friendship apart. The material is familiar to streetwise fans of Hollywood crime films and TV cop shows--the prostitutes and lowlifes, shocking violence and moral compromises faced by cops who patrol the urban jungle. But Huff's vivid, intricately layered script--a mix of straight narration, interlaced commentary and re-created scenes--lifts it far above...
...Indian Village security guard's job is much like that of any cop on the beat. That afternoon Cooper investigated a report of suspicious activity from one of the neighborhood's few markets. (The suspects, sitting in a brown minivan, turned out to be selling state-issued cards used to buy food.) He continued his patrol, eyeing the men walking up and down the street. "If you notice a guy stopping and staring" at a house, Cooper says, "he's obviously up to no good." Especially suspicious are people who walk up to homes and stuff flyers into doors. Sometimes...
...life is worth living. People are having a tough time nowadays and I wanted to pass the story along and say, "Hey, don't give up. Life is good. Just keep believing and pushing and things will get better." (Watch TIME's video "In Mumbai, Wrestling to Be a Cop...
...throughout the early and mid-60s, are retellings of such events as the assassinations of President Kennedy and Martin Luther King Jr., with rotating chapters containing each of three narrator’s points of view. Ellroy continued this three-narrator formula in this latest novel, following the ex-cop and mob affiliate Wayne Tedrow Jr., FBI Special Agent Dwight Holly, and burgeoning private investigator Don Crutchfield through their increasingly intersecting journeys in the political and social climate of the final phase...