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...most innovative numbers of the evening was Mainly Jazz’s “Music Box,” choreographed by Chang. Jennifer M. Batel ’12, Natalie A. Cameron ’11, and Odstrcil transformed themselves into Coppelia-esque wind-up toys, delicately moving about the stage with the precision of mechanical instruments. The plucked strings of the folk music—a piece by Yann Tiersen, best known for creating the soundtrack for “Amélie”—resonated as the dancers replied in stiff, precise arm movements...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: iDance Jazzes Up HDC | 11/16/2009 | See Source »

...Harvard Ballet Company is having its spring concert, presenting a mix of classical and contemporary ballet from various choreographers and different time periods. The company will perform excerpts from “Coppelia,” a ballet about a man who doesn’t realize he is in love with a life-size doll, as well as new and existing pieces by student and professional choreographers. Tickets $8 regular, $5 with Harvard I.D. 8 p.m. on Friday and Saturday. Rieman Center for the Performing Arts...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

DIED. MIA SLAVENSKA, 86, prima ballerina of the Ballet Russe de Monte Carlo; in Los Angeles. The classically trained, red-haired virtuoso was celebrated for her range, beauty and theatrical flair in such works as Giselle, Coppelia and a dance adaptation of A Streetcar Named Desire...

Author: /time Magazine | Title: Milestones Oct. 21, 2002 | 10/21/2002 | See Source »

...Seasons for the Boston Ballet (Sept. 28). The Kennedy Center in Washington presents The Legacy of Paul Taylor, a mini-festival featuring Taylor's latest, Fiends Angelical (Sept. 29-Oct. 8). And the Carolina Ballet, America's most promising young company, based in Raleigh, N.C., premieres a staging of Coppelia...

Author: /time Magazine | Title: Fall Preview: A Taste Of Autumn | 9/4/2000 | See Source »

...Boston Ballet has an eclectic agenda for its 31st season. The company's program includes traditional ballets which feature three radically different kinds of heroines--the betrayed in "Giselle," the doll which comes to life in "Coppelia," and the spunky Kate in "The Taming of the Shrew." In addition, the Boston Ballet's 1994-95 season blends the classic with the modern in American Festival I and II, two ballets which feature the works of recent American ballet luminaries like Cunningham, Feld, Balanchine, Taylor, and Tharp...

Author: By Edith Replogle, | Title: Giselle Opens Boston Ballet Season On Weak Footing | 10/20/1994 | See Source »

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