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...many African artists, the act of creation itself is a religious experience. Zaire's Mwabila Pemba, a specialist in beaten copper, rises daily at 5 a.m. to pray and believes that as he works "I'm in the hands of a divine force." He is among multitudes who speak of creating through prayers, dreams and inspiration from the Bible. Africans know that this makes them oddities among the world's modern-day artists. Ben Nhlanhla Nsusha, who recently returned to Johannesburg after five years of study in London, says the young artists in England "can't understand...

Author: /time Magazine | Title: Religion: Africa's Artistic Resurrection | 3/27/1989 | See Source »

When Sony Chairman Akio Morita unveiled in 1981 a prototype of the first camera to capture images on electronic sensors rather than on film, he billed it the greatest breakthrough since Daguerre's silver-coated copper photographic plate. With Sony's still-video camera, photographers could instantly display their snapshots on ordinary TV screens. But when it finally came out in 1987 with a price tag of about $7,000, the product did not exactly overwhelm the marketplace. Except in a few specialized applications in business and journalism, the filmless camera virtually disappeared...

Author: /time Magazine | Title: Technology: Video Snaps For Grandma? | 2/20/1989 | See Source »

...durable subjects, yet ones that Wilson probes with a comic irony sharpened on the modern world. Inevitably, his work has been compared to the novels of Evelyn Waugh. There are similarities but only "up to a point," as a subordinate in Waugh's Scoop responded when Lord Copper blustered that Yokohama is the capital of Japan. Wilson's comedy is more tolerant than that of the malicious master. Both authors, however, project intimidating confidence in their styles and possess a technical virtuosity that makes the difficult look easy...

Author: /time Magazine | Title: Books: A Triumph of Trying-Really-Hard | 1/23/1989 | See Source »

...built. Boston's 50-unit Charlestown Navy Yard Rowhouses, designed by William Rawn, are virtually miraculous: cheerful, dignified, altogether grand-looking low-cost housing. The long, low brick structure culminates in a brilliantly fetching waterfront wing -- cylindrical, two stories higher than the main body of the structure, with a copper conical top. Equally heartening is the graceful design applied to a humble fertilizer and hay-bale storage shed for a garden center in Raleigh, N.C. Local architect Frank Harmon unapologetically used homely materials (plywood, corrugated fiber glass) but observed lucid symmetries. A row of birthday-candle-like light bollards stands...

Author: /time Magazine | Title: Design: Best of '88 A Compelling New Modernism | 1/2/1989 | See Source »

...region (wooden board and batten exteriors, exaggerated overhanging eaves) without being simply Hansel- and-Gretelish. Ann Mullaney's new information kiosks on Paramount Pictures' Melrose Avenue studio lot in Los Angeles are also admirably no-nonsense and low-key. They are neoclassical wooden booths with fine detailing, standing- seam copper roofs and all the glitz of a New England farmhouse. When a large corporation suppresses the instinct for overpolished aesthetics, hurrah for Hollywood...

Author: /time Magazine | Title: Design: Best of '88 A Compelling New Modernism | 1/2/1989 | See Source »

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