Word: copping
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...conversation subsides while a contestant from Chicago attempts to answer a question worth $64,000. The tension mounts while the man searches in his mental databank for the rapper who sang "Cop Killa...
Denzel Washington is a quadriplegic forensics expert. Angelina Jolie is a young N.Y.P.D. beat cop who discovers an ugly crime, an unsuspected gift for intellectual detective work and, eventually, a romantic attachment to Washington's character as the two try to ensnare a particularly unpleasant serial killer. The movie doesn't stand up to close, logical parsing. But Noyce's direction is atmospheric in the dank, currently chic manner; his actors spunky and attractive; and the path to the final, rather conventional, revelation is strewn with grotesque and suspenseful difficulties. It's kind of fun--if you have the stomach...
...After Departure Lounge's brief set, Hitchcock took to the stage alone, strumming his way through the opening song of Jewels, the misanthropic "Mexican God," on which he waxes Learian about "Moonly-lit cop-crashed garlic and babies." Hitchcock then embarked on a rambling between-song odyssey, describing two almost identical pumpkins standing beside each other on a lake shore, admiring each other. "It must be totally horrendous to be in love with something so like yourself," he remarked before launching into the next song. The songs themselves were a mix of old and new work (Hitchcock describes the show...
...Grunts. By 30, he had 10 films to his credit Down Under, most notably 1992's Romper Stomper, in which he played a psycho skinhead. Sharon Stone brought him to Hollywood for her 1995 western The Quick and the Dead. But it was his role as the pugilistic cop with a heart in the 1997 L.A. Confidential that finally ignited his career. Suddenly people were saying he was the next Brando. A-list directors started calling...
...team of medics in Bringing Out the Dead is often more battered and disturbed than the patients spewed from the streets are. John Goodman as Larry enters with his overweight working man's charm and bravado, and the audience is fooled into thinking this will be the routine buddy-cop movie with jolly, fat guy exchanging caustic one-liners with his thinner, but emotionally more substantive, partner. However, as the wheels spin out, the film takes the audience along for a more complex, hellish ride that visits death, madness, and despair on every street corner. Ving Rhames as Marcus brightens...