Word: copping
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Robert De Niro and Al Pacino, twin heirs to Marlon Brando's Method mantle, play New York City detectives on the trail of a cop who's a serial killer. The first movie in which the stars share prime screen time could have been an event--if it had happened 30 or 20 or even 10 years ago. Not now, not here. Instead of a World Series of acting, we get a wan Old Timers' Game...
...that approach risks some loss of flavor. In Life (Fridays, 10 p.m. E.T.; preview debut Sept. 29), Damian Lewis plays Charlie Crews, a cop wrongly convicted of murder who returns from jail with a big cash settlement and a Zen outlook. Because of Lewis' brilliant portrayal of the eccentric Charlie, the show is perfectly enjoyable. It's just not compelling, mainly because the ongoing story of Charlie's search for justice is so isolated from the rest of the show that it seems meant for bathroom and snack breaks. Life could disappear for five years, and I'd probably enjoy...
...sibling shootout for bare-knuckles barroom machismo, and throws in the instant insanity of a secondary character that nearly stokes a race riot, Pride and Glory has waived all rights to a dispassionate verdict. It's glum and goofy enough make to We Own the Night, the requisite serioso cop drama from last year's festival circuit, seem a masterpiece by comparison...
...drug bust, four NYPD officers are ambushed and killed. The men were under the command of Capt. Francis Tierney (Emmerich), who comes from a family of Irish cops: his dad (Voight), brother Ray (Norton) and brother-in-law Jimmy Egan (Ferrell) are all on the force. So when Ray reluctantly takes the job of investigating the crime, his sleuthing leads to evidence of an inside job, and forces him into conflict with one or two bad apples in the Tierney brood. With its twisty plot that has Ray trekking through the lower depths of Harlem and Brooklyn, and the higher...
...absorbed New Line Cinema into the larger company. Meanwhile Paramount Pictures' prestige label, Vantage, is restructuring. "The studios are very focused on the tentpoles," says McGurk. "And there's a lot of turmoil in the indie marketplace. So there's more product available." That means fewer takers for a cop movie starring a couple of sixtysomething actors, Oscars nothwithstanding...