Word: copping
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...Benicio del Toro’s ethnicity as a handicap or a hurdle, and three shots every time he calls him Samoan. 3. Negative two shots every time a character vomits—it’s only fair. 4. Rejoice and drink when Gary Busey appears as a cop and asks Johnny Depp to smooch. Seriously, it happens. 5. Take a drink every time somebody smokes. 6. Pysch! Number 5 would be way too loco. They’re always smoking. We’re not trying to kill you. 7. Take nine shots when Benicio del Toro?...
...stark, drab New York City of 1988, it is unmistakably a product of our current social climate—a loud glorification of government-backed violence and a raucous endorsement of a “do whatever it takes” mentality. In the film’s world, cops are still called pigs, cocaine rules the street, Blondie still plays at clubs, and mobsters with ponytails wear tight leather jackets. But such 80s cultural stereotypes seem anachronistic, mostly because they so poorly mask the fact that the questions at the film’s core are distinctly those...
...popular, but it led to a backlash from people who hated that she was famous for it. Instead of anyone suggesting that the people who drooled over her in the first place were in the wrong, Kournikova was the one chastised for profiting from it. It was essentially a cop-out to blame women for the fact that men often evaluate them based on looks rather than merit...
That's Vansandt's cue. The American bombs are the bad cop to his good cop routine. He tells them that the Americans shell the region because the JAM use it to launch rockets at the nearby U.S. Forward Operating Base Kalsu outside the nearby city of Iskandariyah. Only the Iraqis in the area can make it go away. "When the [local] sheiks get a [volunteer] program for Abu Jassim [the eastern zone uncontrolled by the U.S.], then we can stop the bombing," he says. "Tell the sheiks what you want...
...context. If you have a stolen masterpiece, you don't know its history. You don't know where it comes from, if it's from Sicily or Apulia or Magna Grecia," he said. "They are doomed to be anonymous." With that in mind, Rutelli also plays good cop in the negotiations. "To the museum that returns stolen works, we loan for several years works that are equally important and valuable. Therefore, those spaces don't go empty," he said. Indeed, the most precious piece that the Getty has agreed to return - a 5th century B.C. statue of a goddess thought...