Word: coppolas
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Dates: during 2000-2009
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Pity the artist who achieved success at an early age; if he stays around long enough, he'll see an endless recycling of his old work while his later work goes ignored. Francis Ford Coppola's first two Godfather films, in 1972 and '74, are among the most revered, and unquestionably the most influential, grownup films of the past half-century. Add The Conversation and his Vietnam movie, Apocalypse Now, and Coppola had one decade, the '70s, as artistically productive as almost any other filmmaker's in history. Yet in his later years, Coppola had trouble getting film financing...
...Tetro (Francis Ford Coppola; in theaters 6/11) Members of an Italian family fight and unite, but this ain't The Godfather. The glorious black-and-white imagery can't rescue Coppola's film from a fatal case of dramatic inertia...
...start of the modern era was particularly good for Italian and American cinema: Italian films took home the award four times straight, from 1966 to 1972, and twice again in 1977-78. Italian-American heavyweights Martin Scorsese (Taxi Driver, 1976) and Francis Ford Coppola (Apocalypse Now, 1979) took the glory for the U.S. and even Bob Fosse joined in at the start of the 1980s with All That Jazz. But critics would snipe that truly great films (and directors) were being overlooked: there would be no Cannes love for Rainer Werner Fassbinder (Ali: Fear Eats the Soul),Werner Herzog (Every...
That old adage "Necessity is the mother of invention" might be what motivated director Sofia Coppola to venture into Louis Vuitton's workshop in Asnières, a suburb of Paris, looking for the perfect handbag. "I couldn't find one I liked, so I was going to custom-order one from Vuitton," says Coppola. One thing led to another, and she found herself designing a capsule collection of handbags and shoes for the French luxury house. The line includes a simple shoulder bag, above, 1940s-inspired wedge sandals and an evening clutch trimmed in gold piping and topped off with...
...Hime-kei appears to have been inspired by American filmmaker Sofia Coppola's movie Marie Antoinette, with its lush rendering of the decadence of the court of Louis XVI. The rush of young Japanese women to emulate the look of 18th-century French aristocrats has grown from a fad into something of a movement, whose leader is the popular singer Ayumi Hamasaki. It even has its own magazine, Koakuma Ageha, with a circulation of 350,000. If Coppola's movie created the wave, Osaka-based Jesus Diamante was ready to ride it. Established in 2001, the label had offered luxurious...