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...Bernard (Peter Kastner) is a little boy who grows up absurd, wavering between his girl friends (Elizabeth Hartman, Karen Black) and his parents (Geraldine Page, Rip Torn). Though the farce is sometimes forced, this first big-league effort by Writer-Director-Producer Francis Ford Coppola suggests bigger things to come...

Author: /time Magazine | Title: On Broadway: Feb. 10, 1967 | 2/10/1967 | See Source »

Both the faults and freshness of Big Boy stem from the same source: the vast, undisciplined energy of its writer, producer and director-all of whom happen to be Francis Ford Coppola, 27. In his first big-league effort, Coppola flashes more than enough talent to suggest that he will make a major movie once he learns not to trip over the line separating daftness from deftness...

Author: /time Magazine | Title: Cinema: Growing Up Absurd | 2/3/1967 | See Source »

Lavin found the Bernini bust of Antonio Coppola, a benefactor of the hospital, through hints in a 19th century inventory, confirmed by minutes of a 1612 meeting at which a blank check was given to Confraternita's treasurer to pay Bernini. Its twin, of Benefactor Antonio Cepparelli, was done a decade later. Drill holes in the eyes heighten their lifelike aspect, and the craggy hand of Coppola that emerges from the cloak, as if from no possible shoulder, adds to the theatrical immediacy of the long lost work. Lavin believes that the Coppola bust was done by Bernini...

Author: /time Magazine | Title: Sculpture: Testaments to a Baroque Prodigy | 1/20/1967 | See Source »

...stars all look wretchedly unhappy, alas, and with reason: Paris is just possibly the most drastically disorganized war movie ever made. For one thing, the script, adapted by Gore Vidal and F. F. Coppola from last year's bestselling piece of pop history by Larry Collins and Dominique Lapierre, tries to tell the story from about 60 points of view at once-some German, some American, some Free French, some Vichy French, some utterly unidentifiable. The result is a 161-minute non sequitur in which the spectator is shrapnel-splattered by bit parts and bitty scenes until...

Author: /time Magazine | Title: Cinema: Bcmg-l-Gotcha! | 11/25/1966 | See Source »

...among the whos to invite, at $15 to $100 a ticket. There were a few slip-ups along the way. Ethel sent a shoe-box full of index cards for the guest list to Mrs. David Ginsburg, ticket chairman. Mrs. Ginsburg was slightly surprised to see "Trigger Mike" Coppola and "Tony Ducks'' Corallo on the list. And when she saw the name Hoffa, she "knew something was wrong." Indeed there was. Ethel had picked the wrong shoebox-the one with the cards compiled by Husband Bobby while he was counsel for the Senate's McClellan committee, investigating...

Author: /time Magazine | Title: The Capital: Better Than Broadway | 10/5/1962 | See Source »

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