Word: coppolas
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Ever since the Jordan, people have used rivers to find something (Jim and Huck's escape) or someone (Conrad's Kurtz or Coppola's). But in America rivers have meant more than quests and more than entrances and borders. They have been tests of what the country wanted of its wilderness and of itself--reminders of the beckoning wilderness of the American mind. Water seems always to be where the great national story unfolds--Melville's ocean, Dreiser's lake, Fitzgerald's bay. But as Twain suggested, nothing was ever as deep as the river. The Atlantic becomes transformed into...
This just in: A judge in New York City has rejected a father's petition to change his son's name from Francis to Frank. Citing famous Francises in history--Assisi, Sinatra, Coppola--the judge observed that the name has a classy pedigree. And besides, he wrote, the kid can always just tell people to call him Frank. This decision is bad news for our 10-year-old, who has long hoped to change her name from Emily to Emili. She made the switch informally in third grade, when she was looking for something more sophisticated. Suddenly, a name rich...
...directors, who are the first generation who grew up in the decline of the suburban dream, the promise of two-kids and white picket fences. This modern American film landscape transforms the suburbs into a movie metaphor of malevolence underlying the pretense of normality. The Virgin Suicides, Sofia Coppola's directorial debut, although not a modern-day investigation of suburban life, explores this theme of banality and the darker side of the '70s two-car garages and fertile green lawns. Her first cinematic endeavor taps the similar suburban malaise of recent critically acclaimed indies The Ice Storm and Welcome...
...Sofia Coppola, previously best-known for her forgettable appearance in Godfather III, brings an ethereal and dark cinematic feel to the project. Leaving aside the fact that her father is one of Hollywood's immortal directors and produced the film, Sofia competently handles the job of director on her virgin film debut. Stylistically, the film has an interesting low-fi, '70s feel that adds to the mystery and spectral nature of the film. But the stylistic achievement unfortunately can't overshadow the problematic content that plagues it, and eventually relegates it to the label of "a good movie". After leaving...
Directed by Sofia Coppola Starring Kirsten Dunst, James Woods, Kathleen Turner, and Josh Hartnett Paramount Classics