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This season carries heavy freight: six films from the directors of Best Picture Oscars (Allen, Brooks, Coppola, Costner, Eastwood, Spielberg). There will be work from Tarantino and Scorsese, sightings of Bond and Magoo. And finally, ladies and gentlemen, women and children, accountants and foreclosers, presenting the costliest film ever made: Titanic, James Cameron's $200 million resinking of the liner, with young lovers Leonardo di Caprio and Kate Winslet onboard...

Author: /time Magazine | Title: CINEMA: THE HOLIDAY STOCKING IS TOO FULL | 11/24/1997 | See Source »

...week. Is this skill? Or her luck in having an arresting face, pretty yet shovel-like (she cops only to a nose job)? Whatever one thinks of such fare as Mother, May I Sleep with Danger?, her longevity is a feat that transcends mere patronage; just ask Sofia Coppola. "Tori's got acting chops--she's just been doing awful material," says House of Yes director Mark Waters, who had seen Spelling only in Co-ed Call Girl before casting her. As it happens, The House of Yes is a Spelling Films presentation, but Waters says the filmmaking wing...

Author: /time Magazine | Title: NOT JUST DADDY'S GIRL | 10/20/1997 | See Source »

...quarter of a century ago, his first film, 1973's Badlands, earned the then 29-year-old a prominent spot in the generation of young film-schooled directors that included Lucas, Steven Spielberg, Martin Scorsese, Francis Ford Coppola and Brian DePalma, who together created a new, nervy kind of movie-literate cinema but who then, as the 1970s wore on into the '80s and '90s, made some really rotten movies along with the good. Malick's reputation, meanwhile, remains crystalline, pure with the promise and power of his youthful work. Badlands, which was shot for somewhere between...

Author: /time Magazine | Title: TERRENCE MALICK: HIS OWN SWEET TIME | 10/13/1997 | See Source »

Francis Ford Coppola made nudie films; Martin Scorsese's first feature went out on the grind circuit. Meyer (with his giddy editing style), Radley Metzger (who made elegant variations on Euro-smut) and R.L. Frost (a versatile imagist, heavy on the rough stuff) could have played in the majors. But most exploiteurs were amateurs--like Doris Wishman, with her mesmerizingly absurd tales of good women gone bad. The husband-and-wife team of Michael and Roberta Findlay, who, Weldon says admiringly, "made the most twisted softcore adult movies of them all," later concocted the fake snuff film, Snuff. They specialized...

Author: /time Magazine | Title: CINEMA: SEX! VIOLENCE! TRASH! | 7/7/1997 | See Source »

...must go about achieving "George's vision"), a melodramatic visitor might be forgiven for imagining himself as Martin Sheen traveling upriver in search of Marlon Brando in Apocalypse Now (a film, by the way, that Lucas originally developed, and that he intended to direct before ceding it to Francis Coppola...

Author: /time Magazine | Title: CINEMA: THE FORCE IS BACK | 2/10/1997 | See Source »

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