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...Whoever's doing what they want is cool." -- Sofia Coppola, actress, fashion-world hanger...

Author: /time Magazine | Title: Better Steve McQueen Than James Darren in Gidget | 11/8/1993 | See Source »

...chronological order, THE GODFATHER TRILOGY: 1901-1980 (Paramount; $199.95) amounts to a kind of cinema archaeology in which the skeleton of some great creature is brought forth from the past to stand on exhibit. This Godfather may not look the same, but when the archaeologist in charge is Francis Coppola, the object is not literal reconstruction but further improvement. If only nature got as many second chances as movie directors. This trilogy has a novelistic density, a rueful, unhurried lyricism and a depth that, singly, the films could not achieve. Altogether glorious...

Author: /time Magazine | Title: Short Takes: Mar. 1, 1993 | 3/1/1993 | See Source »

...Lucia di Lammermoor at the Metropolitan Opera, Francesca Zambello cites as inspiration the gloomy tales of Edgar Allan Poe and the brooding landscapes of Caspar David Friedrich, both contemporaries of the composer. Maybe. But those with an eye for contemporary culture -- and the weekly grosses of Francis Ford Coppola's latest film in Variety -- can see that the real influence is one Mr. Zeitgeist. The Bride of Dracula, anybody...

Author: /time Magazine | Title: Mad, Bad and Dangerous | 12/7/1992 | See Source »

...felt right at home at Ravenswood), while Martin Pakledinaz's costumes evoke David Lynch's sanguinary 1984 intergalactic flop, Dune. In the famous mad scene, Lucia's descent into insanity is symbolized by a steep staircase, down which the white-gowned murderess floats like her Nosferatu namesake, Lucy Westenra, Coppola's hot-pants vamp extraordinaire...

Author: /time Magazine | Title: Mad, Bad and Dangerous | 12/7/1992 | See Source »

...CINEMA Coppola does Dracula as a luscious, infernal romance...

Author: /time Magazine | Title: Time Magazine Contents Page | 11/23/1992 | See Source »

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