Word: coppolas
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...else in the universe." But even if it were a dirt-bike movie that played only seedy drive-ins, EO would be notable for the conglomerate of megabuck talent that confected it. The executive producer is George Lucas, creator of the Star Wars trilogy. The director is Francis Ford Coppola, once Lucas' mentor as executive producer of American Graffiti, now switching roles with his former acolyte. The star is Michael Jackson, the pop- music thriller who composed and performs the film's two songs...
Enter Cameron, a college dropout but a graduate of Roger Corman's famous schlock shop, where directors as divergent as Francis Coppola and Martin Scorsese had done their early professional work. There he also met his future wife, who was Corman's executive assistant. Cameron left in 1982 to direct his first feature, Piranha II. By 1983 Cameron and Hurd had written an original script called The Terminator, and Alien's proprietors were impressed with it. They called Cameron in to discuss another project, about which they could not reach agreement. Before he left, however, Producer David Giler threw...
...Gores, a three-time winner of the Edgar award, is best known for his hard- boiled thrillers. His semibiographical novel Hammett became a film produced by Francis Coppola and helped shift his career toward scriptwriting, notably for such TV series as Kojak and Magnum, P.I. Gores' novel Come Morning, his first in eight years, displays a heightened visual awareness: it blends precise research into prison life, the gem market and rock climbing with outlandishly risky escapades, including a scene in which the hero circumvents a security system by mounting an elevator cable and skittering along a momentarily inactive high-tension...
...establishes Shepard as one of our finest screen-writers, and confirms the staying power of Altman, who has always been one of our most solid directors. Shepard's collaboration with Wim Wenders on Paris, Texas, and now his work with Altman, hints at a possible Shepard film canon. Coppola doing Buried Child? Kurosawa's A Lie of the Mind? Kubrick's Curse of the Starving Class? A Lucasfilm version of The Tooth of Crime? The mind reels...
...could capture Catcher in the Rye on film, though one supposes that Frances Coppola or a Michael Cimino could spend a couple dozen million trying. Of course either would give us lot of grass--acres and acres of golden grass--with a Wagnerian soundtrack, but it would still feel so ... phony...