Word: coppolas
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...Apocalypse Now and even more personal than the achingly personal story of The Deer Hunter. There are good guys and bad guys and there is a line, however thin, between killing and murdering. Through the entire war, Marvin and his men stubbornly survive, eerily recalling the words of Coppola's Colonel Kilgore: "Someday, this war's gonna...
...killer's point of view and we seem to be enjoying it, and to be dissociating ourselves from what it means. Responsible film artists have been warning us for years: Hitchcock told us, over and over, that we were voyeurs and sadists; Kubrick in Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie. I wonder...
...long ago, moviegoers knew, or cared about, only the big stars-Streisand and Newman, Fonda and Redford. Now the directors are often just as famous: Francis Coppola, Stanley Kubrick, Steven Spielberg, George Lucas. But who has heard of Reuben Cannon, Michael Fenton and Partner Jane Feinberg, Jennifer Shull, Lynn Stalmaster or Joyce Selznick? Almost 50,000 members of the Screen Actors Guild, that's who. For these are the casting directors, the silent powers who put the sparks into most of those stars way back when and who often mean the difference between a smash and a bust...
...directors, like Fenton, attend as many plays as they can in Los Angeles and make regular tours of off-Broadway. "We have a standing rule in our office that each person must go to two or three theatrical productions a week," says Jennifer Shull, casting director for Coppola's new Hollywood studio. "The job requires thoroughness. You have to look where others...
...awkward kid with a sprained ankle in NBC's Emergency! Stalmaster got him his big break, the part of chief sweat-hog in ABC's Welcome Back, Kotter. Feinberg almost got him his first movie. She had him fly from New York to California to audition for Coppola's Godfather II. To no avail; Robby Benson was given the job, and then cut out in the editing room...