Word: cops
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Dates: during 2000-2009
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...epitome of sci-fi gadgetry. In Minority Report, Tom Cruise, playing a cop who fights crimes that are to take place in the future, gestures into the air like an orchestra conductor wearing a space glove--only he's calling up computer images that float before him in holographic splendor...
...these are still supporting roles in a genre where actresses come and go while the male stars go on forever. This month, Schwarzenegger will celebrate his 56th birthday, and Harrison Ford, who starred in this summer's flop cop comedy Hollywood Homicide, his 61st. Both actors were stars before the co-stars of their current films were born. Ford is planning another Indiana Jones movie for 2005, when he'll be 63--older than Sean Connery was when he played Ford's father in the last Indy adventure...
...scene begins like any number of classic Hollywood crime dramas as maverick detective Shunsaku Aoshima swaggers along Tokyo's glittering waterfront, headed for action. With disheveled hair, necktie loosened rakishly and a cigarette dangling from his lips, he looks every bit the renegade cop. But when Aoshima reaches his destination, he hesitates and looks around sheepishly?there's no place for him to flick his cigarette! It's not nice to litter. What if someone sees him? Or complains? He sighs, pulls an ashtray from his coat, stabs out the butt, rolls his eyes and heads inside...
...This scene from Bayside Shakedown 2, a Japanese cop drama debuting on July 19, is a terrific movie moment precisely because it's so charming and modest. But are charm and modesty the stuff of a box-office blockbuster? Chihiro Kameyama, producer of some of Japan's most memorable TV and film hits over the past 15 years, is banking on it. In a conference room high atop Fuji TV's futuristic Tokyo office building, he seems positively serene just days before the highest-profile movie release of his career. Kameyama predicts that Bayside Shakedown 2 will...
...that's precisely the point. Bayside Shakedown?and its sequel?are cop movies without the usual cop-movie trappings. Rather than focus on the derring-do of cowboy police collaring bad guys, these movies look inward, exploring?often hilariously?the petty annoyances, political infighting and endless frustrations of paperwork, bureaucracy and tight budgets that come with being a public servant. Though hardly by choice, Aoshima and his colleagues spend more time tracking down stolen receipts for their expense reports, angling for better-subsidized lunches and ferrying their bosses to golf tournaments than catching crooks. Yet the Bayside movies aren...