Word: coptic
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Dates: during 1960-1969
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...more than 100 prelates representing Orthodox churches of Russia, Czechoslovakia, the U.S., Cyprus, Poland, Finland, and all the Near East. Guests from other faiths included top U.S. Lutheran Franklin Clark Fry, Willem Visser 't Hooft of the World Council, Roman Catholic Benedictine monks, and delegations from the Coptic Church of Egypt, the Nestorians of Iraq and Syria, the Armenian Catholicate of Cilicia...
...Dead Sea Scrolls got all the publicity. But more useful to students of early Christian history is a cache of Coptic papyri unearthed near Nag Hammadi in northern Egypt in 1945, the remnants of a library used by a community of Gnostics in the 5th century. The texts are copies of sacred writings from earlier centuries, when the church was struggling to disentangle itself from the early heresy of Gnosticism, which blended Christian ideas with mystical elements from pagan religions of the East. Published last week was the first English translation of one of the most important Nag Hammadi documents...
Died. Empress Wolzero Menen of Ethiopia, 71, wife of Emperor Selassie, an amiable, portly matriarch who confined her interests largely to church (Coptic) and children (three) but once freed her husband from imprisonment by crashing down Abyssinia's Royal Palace gates with a whippet tank; after a long illness; in Addis Ababa...
...plotters had a problem: in Coptic Christian Ethiopia, only an acknowledged descendant of Solomon and the Queen of Sheba would be accepted as a proper ruler by the 90% illiterate populace. After nervous speculation, the plotters approached Crown Prince Asfa Wassan himself, knowing that father and son have disliked each other for years. The Emperor had always favored a younger son Prince Makonnen (who was killed in an automobile accident three years ago), made it obvious that he considered Asfa Wassan none too bright, often subjected him to public humiliation. When Asfa Wassan wishes to speak to his father...
...determining who started the civil war, refuse to excuse either side, the film unequivocally blames the Arabs, absolutely absolves the Jews. Then, in chauvinistic frenzy, the picture goes on to sanctify the Jewish terror. Among the principal heroes: a saintly old assassin (David Opatoshu) attached somehow to a Coptic synagogue, a psychotic youth (Mineo) apparently restored to sanity by a regimen of mass murder. The kind of blind hatred that excuses the Jewish terror was also used to excuse the Nazi extermination camps...