Word: copyists
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...meticulous care Albright takes (he once painted Lincoln's portrait on each penny in a painting), he is far from being a mere copyist. "Everything in the canvas is fighting," he points out of Poor Room, etc. "Some objects are falling, others are rising, others are spiraling in a kind of controlled chaos. I compose in motion. I wish to create tension and conflict." Nor, after the first shock has passed, are his models bereft of their own kind of grandeur. Decay, once faced, gradually loses its morbid horror. Albright seems more the dedicated diamond cutter who positions...
...best you can say for them with certainty is that in a weak way they share certain characteristics of Manet's art? And when a painting is recognizable as a variation on a self-portrait by Van Gogh, yet is not above the technical level of an average copyist, can it really be defended as an original on no other documentation than its acquisition from 'Jean Neger...
...tung). Born in Brooklyn 35 years ago, he studied art at Pratt Institute near his home, served with aviation engineers in the China-Burma-India theater during the war (rode a truck on the Burma Road), turned to commercial art and book-jacket illustration after the war. An unashamed copyist, who perfected his techniques by long hours of studying the masterpieces of Velasquez, Rembrandt and Rubens in New York's Metropolitan Museum of Art, he did his first cover for TIME in April 1957 (Morocco's King Mohammed...
...goes, noticed that the workers around La Scala wore paper hats made of discarded musical scores. Giovanni Ricordi investigated, found that valuable scores and orchestra parts were stacked high in La Scala's cellar. He began to buy up some of the scores, set himself up as a copyist, got a contract stipulating that all the scores he produced would remain his property after a performance. In an age without copyrights or royalties on performances, he funneled some of his earnings back to the composers. In 1839 he shrewdly bought the rights to the new opera Oberto from...
...ready-made and the copyist, private luxuries are now public domain. Because of the curious liaison Dior has wrought between the shrewd operators of Seventh Avenue and the damask-hung salons off the Champs Elyseées, U.S. women may deplore or applaud the plump little man from Normandy, but they cannot ignore him. The woman has not yet been born who, shopping for a new dress, asks for "something just like what I have on"-and men would not like it if she did. Few women have the social assurance to trust their own taste completely. Dior...