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...still be a sound if unexciting introduction to jazz were it not for another set of limitations. The Da Capo edition of The Jazz Makers is actually a reprint of a book published by Rinehart in 1957. Although Da Capo reveals this significant bit of information only in the copyright, the text proclaims its age on nearly every page. It is difficult to imagine a contemporary anthology of jazz personalities without Davis, Monk, Mingus, and Coltrane but the only modernists in The Jazz Makers are Charlie Parker and Dizzy Gillespie, both of whose innovations were widespread by 1950. Equally dated...

Author: By Paul Davison, | Title: Jazzing Up an Old Age | 10/23/1979 | See Source »

...primary function, taping TV shows off the air, has opened a new kind of Pandora's box. In 1976 two of the biggest movie production companies filed suit, charging Sony Corp., the first firm to market VTRs in the U.S., some of its retailers and others, with copyright infringement, interference with the sale of recorded programs to broadcasters and "unjust enrichment." They demanded that Sony stop manufacturing and distributing its Betamax VTR or, alternatively, modify the machine so that it would not record copyrighted material...

Author: /time Magazine | Title: Law: Pandora's Tape | 10/15/1979 | See Source »

Sony based its defense on the argument that copyright law permits home recording and that the "privacies of life" must be protected from government intrusion. In the words of the company's general counsel, Ira Gomberg, "A consumer has the right to do what he wants in his own home. If he wants to watch the 6 o'clock news at 10 o'clock, he has that right." That was Judge Ferguson's view too. "There is no way, nor should there be," he said, "for plaintiffs to limit the availability of alternatives to television viewing...

Author: /time Magazine | Title: Law: Pandora's Tape | 10/15/1979 | See Source »

...ruling on the use of VTRs outside the home, as in schools or corporations; their application to pay or cable TV; tape duplication or "tape-swapping, organized or informal." All these issues will eventually have to be resolved, either by other courts or Congress. A 1976 copyright law passed by Congress was partly aimed at the problems raised by such technological innovations as photocopiers and audio tape recorders, but left as many questions open as it answered. Dorothy Schrader, general counsel for the U.S. Copyright Office, points out: "If off-air taping of an entire movie is possible...

Author: /time Magazine | Title: Law: Pandora's Tape | 10/15/1979 | See Source »

...pose obvious difficulties for broadcasters. The Nielsen ratings have already adjusted their research procedures to allow for increased VTR recording and hence delayed viewing. In any event, home use of VTRs has passed the point of no return. As U.C.L.A. law school's Melville Nimmer, an authority on copyright, points out, "It's fundamentally a part of the whole technological revolution. The old copyright system of control at the source is breaking down. It's impossible to turn time back -or smash the machines...

Author: /time Magazine | Title: Law: Pandora's Tape | 10/15/1979 | See Source »

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