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When the networks had to drop ASCAP tunes and arrangements from the U. S. air, they ordered many a swingster to stifle his hot-licks for fear of violating an ASCAP copyright. That was hard on many a younger listener. Aside from hot record programs from independent stations, only reasonably warm music on the radio was the show called ASCAP on Parade, aired by an independent chain on Saturday night. Last week, officially because Producer Billy Rose was too busy with private matters to handle it, more probably because ASCAP was toying with compromise, ASCAP on Parade was withdrawn...

Author: /time Magazine | Title: Radio: New Warmth for NBC | 2/24/1941 | See Source »

...Copyright, 1941, by Time...

Author: /time Magazine | Title: Current Affairs Test: Current Affairs Test, Feb. 24, 1941 | 2/24/1941 | See Source »

...love letters to the late, great actress before he dies, whiskery old George Bernard Shaw pshawed: "Forty-five years ago, everybody wrote love letters to Mrs. Campbell. I know she thought mine the best of the bunch, though personally I thought those of Burne-Jones more interesting. . . . Before the copyright expires they will, I hope, provide for the education of Mrs. Campbell's great-grandchildren, but they must wait till the old gentlemen who wrote them can no longer make them ridiculous by their white hairs...

Author: /time Magazine | Title: People: People, Jan. 27, 1941 | 1/27/1941 | See Source »

...permision of the copyright owner, Jerry Vogel Music Co., New York city...

Author: /time Magazine | Title: Music: Goldert Gate in Washington | 1/27/1941 | See Source »

...were showing a willingness to give the band leaders protection provided arrangements were submitted to them a week before being aired. Those bands that risked it were subjected to grueling auditions by the networks' lawyers and tune detectives. B. M. I. took out $1,000,000 worth of copyright insurance...

Author: /time Magazine | Title: Radio: ASCAP's First Blow | 1/13/1941 | See Source »

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