Word: copyrighter
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...image, " ... and may never see it again." Here's an odd thing about Eno: as much as he relishes the ideas of transience and randomness that come with generative art, as much as he challenges accepted notions of artistic ownership (every image on 77 Million Paintings is copyright free), Eno is a ravenous collector. As well as recapturing screen snapshots of the very art he's set free, he keeps an archive of his own recorded interviews, clips newspapers, and hoards rusting canisters of slides and colored gels from his earliest works. But rather than keeping them for posterity...
Chris Tomlin belongs in the second camp. People sing his songs a lot, often repeatedly. Specifically, they sing them in church. According to Christian Copyright Licensing International (CCLI), an organization that licenses music to churches, Tomlin, 34, is the most often sung contemporary artist in U.S. congregations every week. Since glee clubs have fallen out of popularity, that might make Tomlin the most often sung artist anywhere...
...face-off” voting games. Although MissFacebook.com has only been up since the beginning of October, it has already drawn over 45,000 page views, Wallace says, and caused a small stir. When Wallace was suspended from Facebook for what he said he guessed was copyright infringement, a Facebook group was quickly created to beg for his readmittance to the community. (Wallace says it turned out that his banishment was due to “spam”—sending out too many identical invitations to join MissFacebook.) In spite of being a Harvard creation, the site...
...Justice Peter Smith embedded a secret code into a 2006 ruling that said this author hadn’t violated a copyright,” Trebek read...
...follow, disavowing possession of such cultural icons as Charlie Chaplin's Modern Times and John Cage's noteless musical composition 4'33", both of which, like the Death Star, figure in Huyghe's work. By calling these glowing white signs Disclaimers, the artist is saying that, in spite of copyright rules, no one really owns these works. They are part of our shared culture, subject to limitless reinterpretation...