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...Studios that supply Channel 4 "absolutely are concerned" that devices like Slingbox could extend broadcasts beyond the permitted territory, Whitehead says, noting that "this is going to lead to interesting discussions with the studios." That's putting it mildly - the entire structure of commercial television rests on geographically specific copyrights. "The implications from a public-policy standpoint are enormous," says Dennis Wharton, senior vice president of communications for the Washington-based National Association of Broadcasters. In the U.S. in late March, the House Commerce Committee held inconclusive hearings on the copyright implications of devices like Slingbox and pvrs, which...

Author: /time Magazine | Title: Slinging Lessons | 4/23/2006 | See Source »

...make it more and more like everywhere else. Is that good news? I feel pretty mixed about it. Ron Katz Paris Decoding a Best Seller Re "Five easy steps to a best seller" [March 27], on how The Da Vinci Code author Dan Brown's court testimony in the copyright case against him could be read as a blockbuster how-to: When I read his book, I enjoyed it greatly - but its close relation to Holy Blood, Holy Grail became increasingly obvious. The name of Brown's character Teabing is an anagram of the last name of Michael Baigent...

Author: /time Magazine | Title: Letters | 4/11/2006 | See Source »

CLEARED. DAN BROWN, 41, author of The Da Vinci Code, of copyright infringement; by London's High Court. Authors Michael Baigent and Richard Leigh had claimed that Brown had copied the "central theme" of their nonfiction book, The Holy Blood and the Holy Grail. Both books propose that Jesus and Mary Magdalene had a child and that their bloodline lives on today...

Author: /time Magazine | Title: Milestones | 4/10/2006 | See Source »

...Jacksonville are accused of posting tracks from “Jacksonville City Nights,” the latest album from Ryan Adams and the Cardinals, on an internet fansite before the album was released.They are the first to be indicted under a provision of the Family Entertainment and Copyright Act (FECA) of 2005. The act specifically targets those who distribute media before it is com-mercially distributed, a huge problem for the music industry.“[Pre-release] piracy is a really big deal,” Samuel D. G. Jacoby ’08, who is also...

Author: By Richard S. Beck, CONTRIBUTING WRITER | Title: Harvard Media Pirates, Beware? | 4/6/2006 | See Source »

...Coop, says that Harvard undergraduates have spent over $700,000 on coursepacks this year at the Coop alone. But don’t blame the distributors for high prices: After the Coop’s rebate, the profit margin on coursepacks is negligible. Coursepacks are expensive because the copyright royalties for articles quickly add up. When you also factor in commercial printing costs, it’s not unusual for a coursepack to cost over $100—as we know all too well. There is reason to be hopeful. Astonishingly, all 30 of the articles in the Ec10 coursepack...

Author: By Tom D. Hadfield, CONTRIBUTING WRITER | Title: Reading The Fine Print | 3/21/2006 | See Source »

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