Word: copyrights
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Dates: during 1970-1979
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...Copyright by Agence Sygma and Editions Albin Michel, Paris...
...take a later train so my wife and I can linger under the sign a while." So popular are the signs that they must be taken down on Fridays and erected again on Mondays to keep them from being ripped off. The town has even taken out a copyright and plans to mass-produce the emblems on poster board at $15 a pair. Deerfield has just one more problem to solve. The congestion around the station these days is terrible...
...still be a sound if unexciting introduction to jazz were it not for another set of limitations. The Da Capo edition of The Jazz Makers is actually a reprint of a book published by Rinehart in 1957. Although Da Capo reveals this significant bit of information only in the copyright, the text proclaims its age on nearly every page. It is difficult to imagine a contemporary anthology of jazz personalities without Davis, Monk, Mingus, and Coltrane but the only modernists in The Jazz Makers are Charlie Parker and Dizzy Gillespie, both of whose innovations were widespread by 1950. Equally dated...
...ruling on the use of VTRs outside the home, as in schools or corporations; their application to pay or cable TV; tape duplication or "tape-swapping, organized or informal." All these issues will eventually have to be resolved, either by other courts or Congress. A 1976 copyright law passed by Congress was partly aimed at the problems raised by such technological innovations as photocopiers and audio tape recorders, but left as many questions open as it answered. Dorothy Schrader, general counsel for the U.S. Copyright Office, points out: "If off-air taping of an entire movie is possible...
...pose obvious difficulties for broadcasters. The Nielsen ratings have already adjusted their research procedures to allow for increased VTR recording and hence delayed viewing. In any event, home use of VTRs has passed the point of no return. As U.C.L.A. law school's Melville Nimmer, an authority on copyright, points out, "It's fundamentally a part of the whole technological revolution. The old copyright system of control at the source is breaking down. It's impossible to turn time back -or smash the machines...