Word: copyrights
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...rejection of the laws, along with the growing unpopularity of other proposed restrictions, shows that governments will have to tread carefully when legislating - and there may have to be some major changes to way Europeans think about copyright...
...Brits owe more of their GDP to creative industries than those in the U.S., Canada, France and Australia, making it more susceptible to the losses from file sharing. An interim report, released in January, put forward proposals for a Rights Agency to help deal with the difficulties of copyright in the digital age and set out a plan for illegal downloading similar to the French laws. ISPs, said the interim report, would be required to "notify alleged infringers of rights ... that their conduct is unlawful." Internet providers would also have to "collect anonymised information on serious repeat infringers...
...such recommendations remain in the final report. Speaking at the beginning of April, when the French plans still looked solid, Geoff Taylor, Chief Executive of BPI, a body that represents the British music industry, said, "Britain's creative industries must not lose out to those of other countries where copyright infringement is being dealt with." In a letter to Britain's Daily Telegraph last week, Brendan Barber, general secretary to the Trades Union Congress, emphasized the potential for job losses: "Any chance to avoid unnecessary job losses must be seized - and for the film, music and TV industries, there...
...there are signs that a populist, anti-copyright movement may be gaining strength. Earlier this month, Sweden voted a member of the Pirate Party, which campaigned on an anti-copyright platform, to the European Parliament. The party, which won 7.13% of the vote, is named after Swedish file sharing website Pirate Bay. Earlier this year, a Swedish court sentenced four of the Bay founders to a year in prison each and a fine of approximately $3.6 million for "assisting in making copyright content available." There is no formal connection between Bay and the Pirate Party but there is little hiding...
...deserved triumphs following soon after for Black Orpheus and Federico Fellini's La Dolce Vita. But the design of the trophy itself had a less than stellar start; come 1964, the powers that be at the Festival decided that a return to the original prize was necessary due to copyright issues. The Palme was reinstated in 1975 and, with multiple design changes along the way, it has remained the award craved by auteurs worldwide...