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...Sherry--Netherlands offers dinner and supper dance music by sundry gypsies and Lester Lanin. Down the street a bit, Le Ruban Bleu, 4 E. 56th Street features no less than ten night club artists to form a pleasant distraction during the meal time. A block away is Le Coq Rouge at 65 E. 56th Street. It supplies Phil D'Arcy's trio and Eddie Davis' orchestra. There is dancing here. If you are after the best, and want to pay for it, head for the "21" Club, at 21 W. 52nd. If you saw "All About Eve," you also...

Author: NO WRITER ATTRIBUTED | Title: Gotham Lights Beckon Exam Weary Students | 2/1/1951 | See Source »

...Lanin. Drop down a couple of blocks to 152 E. 55th Street, if you prefer, and be amused by a half-dozen entertainers while you cup at the Blue Angel. Le Huban Bleu 4 E. 56th, features no less then ten nightclub artists to distract you during supper. Le Coq Rouge, just down the block from Le Ruban at 65 E. 56th, supplies Phil D'Arey's trio and Eddie Davis's orchestra. There is dancing here, very hard while you're eating but not bad if you're drinking. If you are after the best, and you have just...

Author: NO WRITER ATTRIBUTED | Title: Glittering Gotham Beckons to Pleasure Seekers | 11/10/1950 | See Source »

...writing Editor Hall has received more than 300 airmail letters. He wonders: "What do you suppose will happen when the boat mail begins to arrive?" Although a majority of the letters bear a U.S. postmark, others have come from Continental Europe, Latin America, and as far away as Wendji-Coq in the Belgian Congo. Furthermore, to Hall's surprise and gratification, 90% of the letters enclose subscription orders. Says he: "What impresses me is the complete faith TIME readers must have in their magazine. Almost every letter had in it money or checks. To have money sent in advance...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 1, 1949 | 8/1/1949 | See Source »

...Coq (Little Rooster) is a story about a French Canadian soldier who, as a product of a foundling home, is acutely conscious of his bastardy. Fridolin takes the title role. He is onstage three-quarters of the time, plying his audience for laughs with Chaplinesque pantomimes of Tit-Coq's army life, playing for tears with sentimental references to his hero's illegitimacy...

Author: /time Magazine | Title: Canada: QUEBEC: Laughter & Tears | 1/10/1949 | See Source »

Another reason for passing up Manhattan this year was Fridolin's hope to try out an English version of his play in English Canada. If Torontonians, for example, liked Tit-Coq, Fridolin was certain that New Yorkers would also. Said he: "When art is right locally, it will be right internationally...

Author: /time Magazine | Title: Canada: QUEBEC: Laughter & Tears | 1/10/1949 | See Source »

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