Word: cora
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Dates: during 1980-1989
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...mentioning. On his way to the city, Chambers drops off at a roadside diner to scam a meal off the owner. The owner is a sleazy, belching Horatio Algier-type from Greece named Nick Papadakis. Chambers wants nothing to do with him until suddenly he spots Papadakis's wife, Cora. As Cain wrote...
Rafelson makes handsome, careful movies (Five Easy Pieces, The King of Marvin Gardens) about outcasts fighting a system all too ready to ignore them. At times, his Postman is too handsome, too careful: Rafelson caresses every ladder in Cora's stockings, every crescent of dirt under Frank's fingernails, until they become aspects of art direction. Jack Nicholson's performance as Frank is studied too. The dashing star of a decade ago has dared to inhabit the molting seediness of the character actor. So Cora must choose between two middle-aged galoots: one offers her security...
...Cain saw it, woman was the temptress, and Cora was a wailing siren -Circe in a highway diner. Jessica Lange's Cora is trapped, no less than Nick and Frank, by the grim imperatives of the Depression and her search for the deepest sense of identity through sex. The actress's presence and gestural eloquence provided Rafelson with this point of focus: Cora knows who she is and what men will do to possess her. A fraternity of appraising eyes follows her on the streets, in court, at the diner. One managing, sad-faced, respectably poor-emerges from...
...Cora in The Postman, Jessica Lange is tall and erect and self-possessed. Her anarchic blond hair frames a face dominated by classic cheekbones and sulfurous dark eyes, suggesting a Faye Dunaway who does not yet know she is beautiful. She has the strength and solidity of a heroic sculpture-Maillol's Leda, perhaps-a peasant-goddess rooted in the earth. With this performance, Lange has passed from the status of minor curiosity as the heroine of Dino De Laurentiis' King Kong to that of respected actress and, maybe, star. Jack Nicholson thinks so: he calls...
...child of a dreamer-drifter who changed jobs and home towns every two years, Jessica had developed an active fantasy life, seeing Gone With the Wind 14 times, writing letters as Rhett Butler to herself as Scarlett. Now she would invent a life for Cora, to flesh out the novel's sparse details. Says she: "I imagined Cora's movements from the Midwest to Hollywood. I painted her parents with people familiar to me. I was from the Midwest. I had worked as a waitress. I had a grasp of reality...