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...figure painting in the early '60s. His technique as a draftsman is formidable, sharing Pearlstein's plain speech and relentless grip. Your Kindness is an idiosyncratic companion piece to David's famous Death of Marat, with Leslie's wife Constance West dressed as Charlotte Corday and holding the letter that got her access to Marat's bathroom. It is an exhilarating picture, with its firm amplitude of shapes and stripes. Leslie thinks of his work in partly ethical terms. "I think," he reflects, "it was Balzac who said that when art begins to decay...

Author: /time Magazine | Title: Art: The Realist as Corn God | 1/31/1972 | See Source »

Hard and Cold. When Brook opened his shocking and magnificent Marat Sade, with Glenda playing the mad, murderous Charlotte Corday, her performance was one of the truly curdling experiences in contemporary theater; it gained her widespread attention in London and New York. It also created a mold that was both rewarding and discomfiting. "I really loathed that play," she admits. "It was so hard and cold. There was very little interaction, since all the inmates were operating on separate levels of madness. But at least by the time I left it, I didn't have to scratch for work...

Author: /time Magazine | Title: Show Business: The Talented Mrs. Hodges | 4/26/1971 | See Source »

...think of Charlotte Corday in Marat/Sade, fighting her sleep disease and painfully, haltingly asking, "What kind of town is this? What kind of people are these...

Author: By David HOLLANDER President, | Title: A Parting Shot | 2/8/1971 | See Source »

...grapefruit, sipping the dregs of his coffee, and rereading the telegram that sends him flying to New York by cocktail time, where he must perforce plug in his connections, drop his names, jiggle through a dance or two till he's in a position to float Valerie Corday onstage and steal away, leaving her twirling and whirling in a canned atmosphere of chatter and light...

Author: /time Magazine | Title: Books: Fastmouth in Babylon | 7/13/1970 | See Source »

...four, the dark, hulking Reed is the most remote from the author's conception of a Nordic superman. The closest to the true Lawrentian is Glenda Jackson, who made her reputation as Charlotte Corday in the Royal Shakespeare Company's Marat-Sade. Playing the repressed, inflammable Gudrun, she is a total re-creation of the impassioned, nearly liberated woman whose yards of shapeless clothes could not conceal her unrelieved sexual longing, and whose prudish conversation was almost always alive with allusions...

Author: /time Magazine | Title: Cinema: Quartet of Soloists | 4/13/1970 | See Source »

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