Search Details

Word: cordelia (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...PHILADELPHIA FATHER (256 pp.)-Cordelia Drexel Biddle, as told to Kyle Crichfon-Doubleday...

Author: /time Magazine | Title: Books: Hard Scrapple | 5/16/1955 | See Source »

...this uproarious memoir Cordelia Drexel Biddle (now Mrs. T. Markoe Robertson) serves up a Philadelphia pepper pot of stories about the Main Line's celebrated Biddies. Most of the book is about her father. Colonel Anthony J. Drexel Biddle, a punch-and-judo-throwing millionaire who led fully as strenuous a life as his good friend Teddy Roosevelt. As an amateur boxer, the bald, spike-mustached aristocrat fought under the name of "Tim O'Biddle." The great Ruby Bob Fitzsimmons called him one of the best amateur fighters he ever saw. In 1908 he went four roughhouse rounds...

Author: /time Magazine | Title: Books: Hard Scrapple | 5/16/1955 | See Source »

...other hand, I thought Al Marre's Edmund was shallow in conception and sloppy in execution. Nancy Marchand was not up to Jan Farrand's earlier performance as Regan, and Miss Farrand herself was not sweet and simple enough as Cordelia. Cavada Humphrey, I think, missed the viper quality in Goneril...

Author: By John R. W. smail, | Title: The Playgoer | 11/23/1951 | See Source »

...winds, and crack your cheeks! rage! blow" raised the petty rumblings of the sheet-metal-and- hammer boys behind stage to the stature of an expression of Nature; his "Why should a dog, a horse, a rat, have life, and then no breath at all? over the corpse of Cordelia was pure pathos. In portraying the fall of Lear from king to disillusioned father, to madman, to dying, bereaved old man, Devlin combines the grandeur of the king and the weakness of the old man. He binds the magnificent curse of his miscreant daughter Generil ("Into her womb convey sterility...

Author: By John R. W. smail, | Title: THE PLAYGOER | 2/24/1950 | See Source »

...supporting east was obvious in the final act, which contains the longest and most important section of the play from which Lear is absent. The main purpose of the act in the build up a feeling that there has been enough suffering, so that the later hanging of Cordelia and the expiration of Lear will have a more powerful tragic effect. The actors fail to build up this feeling of satiety, so that Lear's entrance, bearing Cordelia, does not have the powerful impact is should have, until Devlin rebuilds the structure himself...

Author: By John R. W. smail, | Title: THE PLAYGOER | 2/24/1950 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | Next