Word: cordelia
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...brother exchange a "rootless life of impermanence and safety" for the urban wilderness of conformity and cliques. The boy, a prodigy, retreats into a private world of abstruse science and physics. Elaine seeks acceptance by her peers, a gaggle of victimizing girls led by a meanspirited brat named Cordelia. Atwood understands that no subsequent humiliations can ever cut so deep as those of youth. The cruelties done to the narrator become sources of a melancholia that affects the rest of her days...
...playing Goneril and Regan, and who Cordelia? Could this be one of those Orient Express situations in which everyone is the murderer? Everyone has a motive; no question about that. Malcolm goads his whining brood without mercy, taking care to be seen splashing money and champagne in all directions but theirs as he buys racehorses and lolls about the world like a pasha...
...deadpan a bit of Shakespeare's text. Mailer and his daughter Kate do appear briefly, but the novelist indulged in a "ceremony of star behavior" and left town. So Godard vamped. He hired Burgess Meredith to play a gang-lord Lear (with many Mailer intonations) and Molly Ringwald as Cordelia. And he turned the film into a cynical, pun-laden, nonlinear meditation on virtue vs. power...
...Slammer and Surf Nazis Must Die. You could catch Jean-Luc Godard in a typically impish auto-da-fe. This year the Peter Pan of enfants terribles presented a captious, grating version of King Lear, starring both Norman Mailer and Burgess Meredith as Lear and Molly Ringwald as Cordelia. Godard, who later boasted that he had never read the play, seemed determined to accomplish what the banks and an indifferent movie public have not quite yet achieved: to bankrupt the Cannon Group, his sponsoring studio...
...course, King Lear. But wait. The great lord is called Hidetora, and he speaks in a tongue Will Shakespeare would not have recognized, inhabits a landscape unknown to the Bard, that of 16th century Japan. And Goneril, Regan and Cordelia are here men called Taro, Jiro and Saburo. We are obviously far from the place of this tragic tale's mythic birth and noble retelling, and we are far from the inert reverence of the typical movie adaptation of a classic. Indeed, in Ran (which means "chaos" in Japanese) we venture into a territory where the very word adaptation distorts...