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...most serious incident so far, Yanira Corea, a 24-year-old Salvadoran activist, was forced at knifepoint by two men who spoke with Salvadoran accents into a van outside the downtown-Los Angeles office of the Committee in Solidarity with the People of El Salvador, a group opposing U.S. policies in Central America. For several hours, she told police, she was kept blindfolded in the van as her abductors cut her hands, burned her with cigarettes and sexually assaulted her, while they questioned her about CISPES' activities and membership. When they set her free, says Corea, the kidnapers told...

Author: /time Magazine | Title: Death Squads Invade California | 8/3/1987 | See Source »

Clearly, the decisive influence on Soviet young people yearning for Western pop culture has been foreign broadcasting. When Willis Conover, who since 1954 has conducted the Voice of America's jazz program, went to Moscow last month with Musicians Chick Corea and Gary Burton, some 500 people jammed into an auditorium with 400 seats. Conover took the microphone and said, "Hello, I'm Willis . . ." He got no further. The young people erupted in cheers. They had grown up listening to that voice on the short wave. -By Patricia Blake. Reported by Erik Amfitheatrof and Jane Tempest/Moscow

Author: /time Magazine | Title: Living: Pizza and Punk on Gorky Street | 8/9/1982 | See Source »

...that has done the most to build the five-man European company into the world's most thriving jazz label ranges in style and quality from the vaulting improvisational rhapsodies of Keith Jarrett to the congenial jazz-rock fusion of Pat Metheny and the slick sketches of Chick Corea. Jarrett, Metheny and Corea account for most of the label's top ten albums. Jarrett's ravishingly beautiful The Köln Concert, released in 1975, has sold more than 750,000 copies-a strong showing for a double album in any league, even rock...

Author: /time Magazine | Title: Music: Sounds from a White Room | 4/27/1981 | See Source »

...could forgive the obvious bullshit involved if the presence of Clarke--and his Return to Forever colleague, Chick Corea--had somehow managed to make this album worth listening to. But they are no more than sidemen on LifeTimes. Diana Hubbard, on her first album, runs the show, playing piano, (Corea isrelegated to the synthesizer on the one cut he graces) and writing all the music. But unfortunately Hubbard lacks emotion, technique; in fact, she lacks any creative vision beyond a vague desire to "contribute to a renaissance in romanticism...

Author: By Thomas M. Levenson, | Title: Dentists' Office Jazz | 11/20/1979 | See Source »

...must wonder then, why the hype? Why should Corea and Clarke endorse this album, write poems to Hubbard, much less play on it? The answer is that Hubbard is only a part-time musician; the bulk of her time is spent as an executive in her father's--L. Ron Hubbard's-- Church of Scientology, and both Clarke and Corea are scientologists. Hubbard said she was trying to make no social statement with this album--she achieved all she wanted from her work in her church and was content with that...

Author: By Thomas M. Levenson, | Title: Dentists' Office Jazz | 11/20/1979 | See Source »

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