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...eighteenth-century gentlemen (that was once, in better days, the mainstay of this institution) will be cheered by the bracing news that it now has a Christmas record all to itself. Called An Eighteenth-Century Christmas, it's put out by Vanguard (Bach Guild BG-569) and includes Corelli's Christmas Concerto, Torelli's Pastoral Concerto for the Nativity, several pieces by J. S. Bach, and the Haydn Toy Symphony (by Leopold Mozart). I Soloisti di Zagreb are the instrumentalists (dam' fine fellahs, too) and they are led by Antonio Janigro...

Author: By Anthony Hiss, | Title: Old 'Crimson's' Guide to Christmas Cheer | 12/20/1961 | See Source »

...Recorded music schedule for Matthews Hall Common rooms is: Saturday afternoon, Bach's The Art of the Fugue; Corelli's Concerto Grosso in D major, Opus 6, no. 1; Vivaldi's Trio sonata in D minor, Opus 1, no. 12; and Stradella's Sinfonia in D minor. Sunday, Verdi's String Quartet in e minor; Tchaikovskii's Fatum, Symphonic Poem, Opus 77; Strauss's Symphonia domestica, Opus 53; and The Genesis Suite (Prelude by Schonberg, Creation by Shilkret, Adam and Eve by Tansman, Cain and Abel by Milhaud, Noah's Ark by Castelnuovo-Tedesco, Babel by Stravinsky, and The Covenant...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/13/1961 | See Source »

...Metropolitan is bringing its sumptuous revival of Turandot to Boston this spring--with Nilsson, France Corelli, a great new Calaf, Anna Moffo as Liu, and Tozzi in his first performance as Timur. If it is at all possible that any seats still remain, snap them up: It will prove--I am absolutely sure--an unforgettable evening. However, if you discover that others have beaten you to it, console yourself by obtaining this recording. It, too, has its unforgettable moments...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

Impeccable of Tone. Newcomer Franco Corelli, as Calaf, the prince who stakes his life on winning the cold Turandot, is as handsome as any tenor who ever walked the Met stage, has a big, bronze voice that he can fling forth most of the time without strain; but often he lacks taste and sacrifices lyricism to masculinity, style to strut. Anna Moffo, as Liù, makes the part far more than the usual sweet rag doll: singing with impeccable beauty of tone but also with surprising force, she gives the character backbone, thus rendering plausible the scene in which...

Author: /time Magazine | Title: Music: Golden Age | 3/3/1961 | See Source »

Pinza Appeal. As for Tenor Corelli, he came onstage dressed in the velvet tunic and tights that display his most famous asset: the legs that have earned him the Milan nickname of "Golden Calves" ("I just love Franco," says Leontyne Price. "He has such gorgeous legs"). Moreover, the golden calves support a 6 ft. 2 in., 180-lb. frame and a classically handsome head that qualify Corelli as the best-looking hunk of tenor now singing.* In his Met debut he demonstrated that he also has a voice. Somewhat tight at the beginning of the evening, it loosened...

Author: /time Magazine | Title: Music: Skylark & Golden Calves | 2/3/1961 | See Source »

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