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...Works of Corelli, Mozart and Ibert--David Goodman, clarinet; Dana Birkby, horn; James Propp, oboe; John Loder, bassoon; Paul Fishman, violin; Michael Blum, guitar; and David McClure, violin; Dunster Library...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: April 26- May 2 | 4/26/1979 | See Source »

Altman's naturalistic technique also permits him to parody Hollywood's audio and visual cliches. The imposing shots of the Corelli mansion in A Wedding, and the fanfare that accompanies them, are hilarious precisely because their contrived portentousness contrasts so dramatically with the look and sound of the rest of the film...

Author: By Andrew T. Karron, | Title: Altman: Hitting the Myth | 10/12/1978 | See Source »

...Violins in D-minor; Air from Suite No. 3 in D (Henryk Szeryng and Maurice Hasson, Academy of St. Martin-in-the-Fields, Neville Marriner conductor, Philips). Bach was the field marshal of the concerto form, regimenting the fluid lines of such Italian masters as Vivaldi and Corelli into complex string masterpieces. Szeryng, the Polish-born virtuoso, and Second Fiddle Hasson demonstrate great authority within Bach's polyphonic ranks. Their counterpoint in the double concerto is superb, as is the accompaniment led throughout by Neville Marriner. One quibble: Szeryng's treatment of the slow movements tends...

Author: /time Magazine | Title: Music: Classic and Choice | 9/19/1977 | See Source »

From Caruso to Corelli, the Italian tenor has always been and remains music's only matinee idol. The tenors have preserved a paradoxical mystique, combining refined and vertiginous high C's on stage with crude pidgin English and fiery Latin lust off. In most respects, Pavarotti lives out this mystique, regularly publicizing his voracious sexual and insatiable culinary appetites. But when it comes to comparisons with forebears where it really counts, Pavarotti's mystique loses potency. On the subject of singing, mere mention of Pavarotti's name in the same breath as that of the illustrious Caruso and Gigli marks...

Author: By Lorenzo Mariani, | Title: A Reputation (Like Everything Else About Him), Overblown | 5/12/1977 | See Source »

Musick for the Generall Peace performs works for two viols and two violins. Players include Laura Jeppesen (viola da gamba) and Daniel Stepner (baroque violin), in works by Purcell, Couperin, Corelli and others. Old South Church, Copley Square, Boston. 8:30 p.m. Tickets at $4, $3 with student ID. For info...

Author: By Richard Kreindler, | Title: CLASSICAL | 3/10/1977 | See Source »

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