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...tone of this production is set at the very outset by designer Marsha Eck's pretty picture-frame made of candelabrum-adorned Corinthian pillars, and a foliage-sprouting crosspiece bearing the play's title in flowing letters. The opening mood is buttressed by Conrad Susa's bright E-major fanfares that lead into a section for hidden singers and pastoral woodwinds punctuated by airy strokes on a glockenspiel. And Jane Greenwood, using the late 16th-century as a period, has provided dozens of stunning ruffcollared costumes...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: I 'All's Well That Ends Well' in Rare Revival | 7/2/1970 | See Source »

...architect was at least partly conscious of the heritage. He modeled the building after traditional towers and columns, separating it into three discrete sections: base, shaft and capital. Similarly, America's earliest settlers made a conscious effort to tap the main streams of Western architecture. Doric, Ionic and Corinthian pillars grace the front of many New England homes...

Author: By Richard E. Hyland, | Title: No Country for Old Men | 6/29/1970 | See Source »

...alone. As Howard Stein, president of the Dreyfus Fund, put it: "What is happening on Wall Street is what is happening in the world. We are overextended morally, economically and politically, and we are about to get our first margin call as a national power." In front of the Corinthian columns of the New York Stock Exchange, hard-hatted construction workers bearing American flags attacked a group of youthful antiwar demonstrators...

Author: /time Magazine | Title: The Economy | 5/18/1970 | See Source »

...either side of it loom numberless federal buildings. Except for the Pentagon, it's all right there. Most of the buildings are the familiar second-rate parodies of the Panthcon and, as Greenough pointed out over a hundred years ago, there is nothing sillier than America trying to be Corinthian. Perhaps every President for the last hundred years, tired and frustrated at the end of his term, wanted to bequeath some mark of concrete and marble, some monument to belie his own colossal incomprehension and inability to deal with the complexity of American life. And so he employed the resident...

Author: By Jim Frosch, | Title: On the March Washington Blues | 11/19/1969 | See Source »

...night of Dec. 29, 1940, St. Mary took a direct hit during one of the Luftwaffe's heaviest air blitzes. Only the stone walls and the twelve Corinthian columns that had lined its spare interior remained aloft. After the war, the Diocese of London decided not to rebuild the church, since it stood in what had become the financial district of London. Too few parishioners lived within the old city's boundaries to attend it. Instead, the church was scheduled to be razed for a city redevelopment project -until dilemma and opportunity met in Westminster's quest...

Author: /time Magazine | Title: Architecture: Monument to an Occasion | 5/23/1969 | See Source »

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