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...first Lovis Corinth did not look as if he would be one of them. He went to study art in Paris when impression ism was already a decade old. Rather than join this movement, Corinth be came a star pupil of the arch-academic Nudesmith William Bouguereau...

Author: /time Magazine | Title: Painting: Valhalla Revamped | 9/25/1964 | See Source »

...with the Roman form of u) that never was readily tamed. He was a beefy bon vivant who invariably kept two jugs of wine by his elbow during dinner. His lust for life got him the reputation of being Germany's Van Gogh, but the real sources of Corinth's robust energy were the ruddy-cheeked oils of Rubens, Hals and Rembrandt. An exhaustive retrospective that opens this week at Manhattan's Gallery of Modern Art (see opposite page] and a graphics show at the Allan Frumkin Gallery reveal how - having apparently concluded that Germans make...

Author: /time Magazine | Title: Painting: Valhalla Revamped | 9/25/1964 | See Source »

Returning to Germany, Corinth scandalized Munich with his sensual image ry. He painted slaughterhouse scenes, leering nymphs and popeyed Grafs with equal candor and caricature. He happily moved to Berlin to join the impressionist Secessionists, an art society that scorned the academy. Then in 1911, a near-fatal stroke reminded him of the dark side of delight...

Author: /time Magazine | Title: Painting: Valhalla Revamped | 9/25/1964 | See Source »

...unite yourselves with unbelievers," St. Paul told the first Christians of Corinth. To the surprise and dismay of their fellow Britons, more than 10,000 members of the Exclusive Brethren sect are currently trying to take the injunction literally and separate themselves from the rest of society...

Author: /time Magazine | Title: Sects: The Uncontaminated | 6/26/1964 | See Source »

...LOVIS CORINTH-Frumkin, 32 East 57th. Sixty self-portraits by the late-blooming German impressionist (1858-1925) offer an authentic study in character. Paintings, prints, drawings and watercolors, ranging from the belabored early works of the artist's 20s to the violent chiaroscuro, powerful brush stroke and emotional fervor of his later years. Through...

Author: /time Magazine | Title: Art: Art in New York: Jan. 3, 1964 | 1/3/1964 | See Source »

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