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Word: coriolanus (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Stratford, Ont., Stratford Festival: In addition to playing Love's Labour's Lost, Henry VIII, Coriolanus and The Pirates of Penzance, the festival presents The Canvas Barricade, a new comedy by Donald Lamont Jack...

Author: /time Magazine | Title: Cinema, Television, Theater, Books: Aug. 11, 1961 | 8/11/1961 | See Source »

Stratford, Ont., Stratford Festival: Coriolanus, Henry VIII, and Love's Labour's Lost alternating with The Pirates of Penzance...

Author: /time Magazine | Title: Time Listings: Aug. 4, 1961 | 8/4/1961 | See Source »

Finney has two seasons at Stratford-on-Avon already behind him. As Olivier's understudy there, he went into Coriolanus when Sir Laurence went out with a slipped knee cartilage, carried off the part with a brilliant blend of boisterousness and truculence. Since then, he has been a wild Teddy Boy in The Lily White Boys, a suitably complex Oedipus in a BBC production of Jean Cocteau's The Infernal Machine, and a robust and lyric Romeo in a Caedmon recording of Romeo and Juliet (with Claire Bloom), scheduled for U.S. release soon. But throughout Britain...

Author: /time Magazine | Title: New Faces: The First Finney | 2/24/1961 | See Source »

...performers in their proper spheres, which in neither case includes Shakespeare. This unsuitability carries with it no ignominy; and the obvious devotion and will of these two cannot compensate. In the past decade, Miss Hepburn has played Rosalind, Portia, Beatrice, and Viola--none with great success. Ryan has done Coriolanus professionally and other roles informally. The handwriting on the wall is clear. The fact that a movie star, Marlon Brando, gave us in the film version of Julius Caesar an Antony unlikely to be surpassed is no cause for a general Hollywood stampede to the Bard: Brando is a unique...

Author: By Caldwell Titcomb, | Title: Antony and Cleopatra | 8/4/1960 | See Source »

...Bard. All the actors, British and American, like their predecessors, are involved in the attempts of their age to press Shakespeare into a contemporary mold. Orson Welles dressed his Caesar in quasi-Fascist uniform, and Olivier's mother-possessed, mob-envenomed Coriolanus ended hanging head downward, like the dead, degraded Mussolini. Moscow has staged Hamlet as an army plot against the King, with Ophelia a court whore who played the mad scene drunk. In Manhattan a group of feminists staged an all-female Lear, and a Polish actor played Shylock as a fat, wisecracking Broadway type. At Stratford...

Author: /time Magazine | Title: THE STAGE: To Man From Mankind's Heart | 7/4/1960 | See Source »

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