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With his China initiative, the President is also taking some satirical fire from the right. William Loeb, publisher of the Manchester (N.H.) Union Leader and conservative thinker somewhat abaft of Coriolanus, regards the Peking trip with such horror that he instituted a reader contest to rename the President's plane, now called The Spirit of '76. That title, Loeb asserted, is totally inappropriate...

Author: /time Magazine | Title: The Nation: Fire on the Right | 10/25/1971 | See Source »

Venomous Division. That belief, what might be called the "Coriolanus complex," seems to embarrass Miller. So he tones down or eliminates speeches expressing it in order to spotlight Stockmann as a kind of pioneer spirit of the purely ethical life. As a result, the play becomes something of a tirade against the venality of small-town existence rather than a broad examination of when, or whether, the democratic principle of majority rule may legitimately be abrogated by a single individual. Certainly, in the realm of ideas one would have to agree with Stockmann: "Before many can know something, one must...

Author: /time Magazine | Title: The Theater: Moral Pollution | 3/22/1971 | See Source »

Tommy, who is a Harvard senior, is a member of the football team and also an actor, having played a major role in 3 Sisters and Coriolanus in last year's Loeb production. But he is a jock and not an actor when he is not working...

Author: By Frank Rich, | Title: The Ghosts of New Hampshire | 4/10/1969 | See Source »

...parts, Ronald Hunter as Hector and Louis Plante as Ajax were excellent, attempting successfully to take characters whom audiences associate with moral and physical arche-types and make them something quite different. Arthur Friedman didn't look a day older than he did playing Aufidius in a recent Loeb Coriolanus and consequently didn't convince me he was senile old Nestor for a minute...

Author: By Tim Hunter, | Title: Troilus and Cressida | 8/6/1968 | See Source »

Equally fine is Frances Gitter as his mother Volumnia, giving the most articulate and intelligent performance in a generally excellent cast. Frank Hartenstein's lighting added more to characterization than one dares hope for at the Loeb: a scene between Coriolanus and six others on a balcony proved remarkable in that only Coriolanus's shadow was projected onto the stage floor fifteen feet below, serving to isolate him completely from the other more reasonable characters...

Author: By Tim Hunter, | Title: Coriolanus | 3/22/1968 | See Source »

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