Word: corks
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Dates: during 1970-1979
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...farm 25 miles outside Warsaw, a ruddy-faced peasant pulled the cork from a home-distilled bottle of honey liquor and talked about the impact of Gierek's agriculture reform, in which a return to a free Western-style market has replaced central planning. One result: Polish farm income has risen 37% in the past year. Though 80% of Polish farm lands are still privately owned, the farmer during the Gomulka regime was a virtual serf to the state, which told him exactly what and how much to raise. Now a farmer is free to grow whatever sells best...
...sour, with the bite of natural fruit acids), "astringent" (puckery, like a cup of strong tea), or "balanced" (with just the right combination of acid, tannin and alcohol). They can be "big" (with a detectable heaviness on the tongue, not light or watery), "clean" (absent of extraneous tastes like cork or oak), "flinty" (dry and sharp), "full-bodied" (thick, robust), and "maderise" (from Madeira; turned slightly brown with age, past the prime). They can be "petillant" (slightly sparkling or effervescent), "thin" (deficient in alcohol or body, watery), or "woody" (with an overbearing taste of oak from overlong storage...
...OTHER FIGURE shows a similar development, and character transformation under the impact of events is not really the major concern of the play. Rather archetypes respond to crisis in a straightforward fashion. Caroline Downey, as the mayor's wife, Anna Andreevna, and Lee Cork as his daughter, Maria Antonovna, act in conventional, highly stylized and artificial unison, play off of each other very nicely, and are a high point in the evening. Yet, they are static, and in the end differ in no particular way from their status at the beginning. Similarly, the mayor, portrayed by Wayne Mitchell, remains unchanged...
...down the gradual growth of his mind. After the early Paris period when he thought his feet could take him farther than his head, he entered a blurry "transcendental" phase culminating in the Irish sojourn. In that "Victorian lagoon," even the fighting seemed unreal. He arrived at Cork terrified by a hail of machine-gun fire, only to be reassured by the urchin carrying his bag: " Tis only the boys from the hills." In Ireland he met his first true writers-Yeats and O'Casey among others-and he dreamed of becoming an "artist" whose art could be determined...
...Crimson steps looking like a suburban squire should, work-booted, wearing nondescript dungarees and a good sweater gone bad. With eyes looking out from a face somewhere between a hawk's and a gnome's, he glanced at the fading pictures of fading editors on our tack-marked cork bulletin board, and asked the photographer. "How did you get those black borders on them?" Mechanical details and competence in mastering them impressed him--part of the reason he wrote Rabbit Redux was his vision of Rabbit as a linotyper...