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Coppola extends this moral masquerade even further, using the Mafia as a metaphor not only for cor ruption in business, but for corruption in all centers of power, emphatically including government. "My father is no different from any other powerful man," Michael tells his WASPish girl friend Kay. She says, "You're being naive. Senators and Congressmen don't have people killed." Replies Michael: "Who's being naive now, Kay?" When the Don expresses regret that Michael could not have been "a Senator, a Governor," the son promises him, "We'll get there...

Author: /time Magazine | Title: Show Business: What Is The Godfather Saying? | 4/3/1972 | See Source »

...French officials nervously led them on a preview tour to see the new décor of the Elysée Palace, newsmen fairly gaped in astonishment. In one stroke, the salons where President Georges Pompidou does much of his entertaining had been transformed from pre-Bastille to post-Kubrick. Gone from the palace (built in 1718) were the murky frescoes, the gilt-edged mirrors, the priceless Louis XV and Louis XVI furniture. The anteroom where guests are greeted is now a blast of color and light, designed by Israeli Op Artist Yaacov Agam and dominated by his wall-size...

Author: /time Magazine | Title: The World: Livening Up the Elys | 2/28/1972 | See Source »

...this particular spot was to see how long it took before people realized it was permanent, a piece of sculpture not a piece of the building." The work, entitled "Mt. Vernon Wall Piece" stands about nine feet tall, folds around a corner of the brick wall, and is of cor-ten rusted steel. "A lot think it is holding up the building, although some recognize immediately that it is some kind of sculpture, as something not done randomly. Others ask if it was especially made for that corner...

Author: By Meredith A. Palmer, | Title: Environment and Sculpture | 2/24/1972 | See Source »

This alienating décor is full of works of art. Fiber-glass nudes, crouched like Playboy femlins in the Korova milk bar, serve as tables or dispense mescaline-laced milk from their nipples. They are, in fact, close parodies of the fetishistic furniture-sculpture of Allen Jones. The living room of the Cat Lady, whom Protagonist Alex (Malcolm McDowell) murders with an immense Arp-like sculpture of a phallus, is decked with the kind of garish, routinely erotic paintings that have infested Pop-art consciousness in recent years...

Author: /time Magazine | Title: Cinema: The D&233;cor of Tomorrow's Hell | 12/27/1971 | See Source »

...restaurants have standardized décor, which, despite the chain's name, is ersatz Tyrolean rather than Viennese. Each unit combines such decorations as gingham curtains, fake wooden beams, simulated carriage lamps, leatherette settees and plastic flowers. The menu has remained basically fowl, emphasizing chicken in several forms, with a few excursions into wurst and schnitzel. The birds are heavily laced with salt and paprika, which tends to give customers a powerful thirst. Jahn's cash registers thus tinkle along with sales of wine and beer...

Author: /time Magazine | Title: WESTERN EUROPE: A Fortune from Fowl Fare | 11/15/1971 | See Source »

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